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Laut Folgen - Theater der interaktiven Erfahrung (Theaterkonzept für das Cutting Edge Archiv im KünKünstler Mousonturm)
1998
GMD, ed. Laut Folgen - Theater der interaktiven Erfahrung (Theaterkonzept für das Cutting Edge Archiv im KünKünstler Mousonturm). Sankt Augustin: 1998.
Synthetisch: Biologie und Kunst
2018
Hauser, Jen
s a
nd Ingeborg Reichle and Hans-Jörg Rheinberger. Synthetisch: Biologie und Kunst In Experimentalität: Hans-Jörg Rheinberger im Gespräch über Labor, Atelier und Archiv, edited by Hans-Jörg Rheinberger, 94-103. Berlin: Kulturverlag
« Histoire(s) d’une main »,for « Archivages »
2000
Lestocart Louis José. « Histoire(s) d’une main », for « Archivages ». Paris, France: ,, 2000.
Planchette Bot
2020
-
2021
Planchette Bot re-creates the aura of few of the global figures in automated voice and hologram. The select historical figures include M. K. Gandhi, Malcom X, and Nelson Mandela, among others. Their personalitie
s a
re recreated by incorporating AI
The Art Happens Here: Net Art’
s A
rchival Poetics
2019
-
2019
In partnership with Rhizome.
Imaginary Work
spa
ces
2022
Imaginary Work
spa
ces i
s a
series inspired by dystopian science fiction narrative
s a
s written by
Sta
ni
sla
w Lem and Philip K. Dick that imagine fictional industrial work
spa
ces. This collection of invented images oscillate between retro futuristic
Machine Dreams
1994
-
2000
The in
sta
llation "Machine Dreams" uses video to trigger zones of individual sound samples. It i
s a
n interactive in
sta
llation that uses the reaction of the participant to the vi
sua
l component of the
spa
ce to produce a sound
sca
pe. The vi
sua
l
Mer
sea
Circle
2003
-
2005
Mer
sea
Circle i
s a
collective memory project with local living people in Mer
sea
i
sla
nd located near Colchester, Essex in England and part of the Field-Works-series. Visitor
s a
re invited to walk on the edge of i
sla
nd with video camera and GPS for
Archive of Digital Art
A
s a
pioneer project in the field of Media Art re
sea
rch and preservation, the ARCHIVE OF DIGITAL ART (ADA) has been striving to document the rapidly evolving field of "digital born" art since 1999. The ever growing collection and vast overview of
The Encoded Eye, the Archive, and its Engine House
1998
-
2000
The Encoded Eye, the Archive, and its Engine HouseArtist: David TomasComment:
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