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  • Meta.Morf 2010 - video
    Interview with Roy Ascott. Meta.Morf 2010: New.Brave.World! Trondheim, Norway November 2010
  • Cell Tango video
    Merging art with technology, conceptual artists George Legrady and Angus Forbes have transformed ubiquitous and often annoying cell phones into paint brushes for the 21st century. Their new multimedia video installation "Cell Tango" at Wellesley
  • Brave New World -
    Event: Brave New WorldInstitution: Contemporary Art Centre RurartComment:
  • Chromatic Shifts - video
    Chromatic Shifts is a dynamic light installation that explores perceptual changes of shape at a cognitive level. Rhythmic pulses of color illuminate ambiguous and “impossible” shapes as they appear to shift between two and three dimensions.
  • Konrad Zuse: enabler of computational arts?
    Andrés Burbano and Esteban García Bravo. Konrad Zuse: enabler of computational arts? Archiving and Questioning Immateriality , no. 190 (2016).
  • The interactive image: a media archaeology approach
    Esteban García Bravo and Angus G Forbes and Vetria L Byrd and Andrés Burbano. The interactive image: a media archaeology approach Leonardo 4, no. 50 (AUGUST 2017): 368-375.
  • The Routledge companion to experimental literature
    Bray, Joe and Alison Gibbons and Brian McHale, ed. The Routledge companion to experimental literature. London: Routledge, 2012.
  • secret movements video
    A performance for cello, grand piano, soprano saxophone, surveillance cameras, live video mixing and projection. Two instruments accompany a silent movie. Hey, it's a living. But slowly they realize that not only are they reacting to the image.
  • Earth day impromtu -
    EarthDay Impromptu (1990) was an event organized collaboratively. It included artists Eduardo Kac, Carlos Fadon and Irene Faiguenboim (Chicago) and Bruce Breland of the DAX Group of Carnegie Mellon University in Pittsburgh, among other artists in
  • Elastic Fax 1 -
    Elastic Fax I, created by Eduardo Kac, was realized at the Museu de Arte Moderna, Rio de Janeiro, Brazil, in 1991. Artists worldwide were invited to transmit sequences of images to form a self-editing faxfilm. Sequences were added automatically in
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