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Politische Theorien des Cyberspace 1997

Bredekamp, Horst. Politische Theorien des Cyberspace In Kritik des Sehens, edited by Ralf Konersmann, 320-339. Leipzig: 1997.
Cyberspace, ein Geisterreich: Freiheit fürs Internet: Eine Achterbahn durch die Reste der zerfallenen Utopie 1996

Bredekamp, Horst. Cyberspace, ein Geisterreich: Freiheit fürs Internet: Eine Achterbahn durch die Reste der zerfallenen Utopie Frankfurter Allgemeine 29 (1996): B1.
The Lure of Antiquity and the Cult of the Machine: The Kunstkammer and the Evolution of Nature, Art, and Technology 1995

Bredekamp, Horst. The Lure of Antiquity and the Cult of the Machine: The Kunstkammer and the Evolution of Nature, Art, and Technology. Princeton, NJ: Markus Wiener Publishers, 1995.
Mimesis, grundlos 1991

Bredekamp, Horst. Mimesis, grundlos Kunstforum International 114 (1991): 278-288.
Raumatmen / wetf(r)iction 2005 - 2005

in cooperation with Peter Szely (Sound) --- The inside skin of a space station is enveloped in large size projections. The space station is not comprised of inflexible, rigid material - it is not hardware but wetware - it is a breathing, living
Überlegungen zur Unausweichlichkeit der Automaten 1999

Bredekamp, Horst. Überlegungen zur Unausweichlichkeit der Automaten In Puppen, Körper, Automaten: Phantasmen der Moderne/ Kunstsammlung Nordrhein-Westfalen, edited by Pia Müller-Tamm and Katharina Sykora, 94-105. Köln: Oktagon, 1999.
Intervention Mit Drei Hunden 2000 - 2000

An expressive interaction between three dogs making comment on a debate over the changing position of art within Europe. Three pure-bred German Shepherds were chained at three different locations in the space. These locations were their territory to
Review of the 080808 UpStage Festival 2008

Hadley, Bree. Review of the 080808 UpStage Festival Australian Stage Online (2008).
Plasm: In the Breeze 2000 - 2000

Swinging out over a synthesized creek, viewers stir up the artificial life forms therein. Engaging kinesthetic immersion takes place within themed surroundings, where two rope swings track the participants' position using linear position
Mez Breeze

Artist: Mez BreezeComment:

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