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Thanks Tails
1996
"Thanks Tails" are tails for cars. An organ which express appreciation. To make it easier to understand, it is not expressed by language but by the gesture of tails of dogs. I consider this as an art work only when this is manufactured. This
FIELDS 2.1
2012
Fields 2.1 is an attempt to create an illusion of consciousness in non-living matter. A moving eye is a property that allows the viewer to perceive the “inanimate” as the “conscious”. Using magnetic fields and ferrofluid technologies the artists
Laura Krasnow
photography-film-coffee-neural networks-quantum physics-string theory-astrophysics-art-books-dogs
Face to Face: The Transcending of Arts and Beyond
2013
Artwork: "A Natureza entre dois Mundos"
dfi Dokumentarfilminitiative
Realität als interpretierte Wirklichkeit (Interview)
1999
Weibel, Peter. Realität als interpretierte Wirklichkeit (Interview) Grimme: Zeitschrift für Programm, Forschung und Medienproduktion. Bilder des Realen. Dokumentarisches in den Medien 3 (1999): 6-9.
Facing Reality
1999
Dolinsky, Margarete. Facing Reality Artists Using Science and Technology, YLEM Newsletter (July/August 1999).
NFT Buddha
2022
NFT Buudha is a commentary on the NFT-based art trend of the early 2020's. Drawing on Nam June Paik's "Video Buddha" and the author's "Suburban Meditation" (2003-08), the piece is an intersection of Paik's meditation on media and the author's
Live streamings from Dolmens
2011
-
2017
video
Marcello Mercado Live streamings from Dolmens, 2011 HD single channel video, 17min 35sec stereo 16:9 black/white/colour DNA-performance-installation- soundart (LIVE) 19/06/11 14:17 PM Dolmen2: 54° 44´23.99" N 11° 47´23.36" E elev. 4m
Pinches Pelos Dodger
2008
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2008
Installation, human hair coated with platinum film and engraved with a focused ion beam, test tube, illuminated electron-microscope duratrans print, metal frame, certificate
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