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  • "Where are you from?": The Networked Sphere
    Badani, Pat and SACHIKO HAYASHI. "Where are you from?": The Networked Sphere [01-01-2006].
  • The Subterranean - Exploring networked tools and matter -
    Event: The Subterranean - Exploring networked tools and matterInstitution: Fiber FestivalComment:
  • The Memory Dump, the Disregarded Power of Undone Art, in e-discourse in online networked communities: structure, timing, tone, and affect
    Event: The Memory Dump, the Disregarded Power of Undone Art, in e-discourse in online networked communities: structure, timing, tone, and affectInstitution: ISEA2016Comment:
  • Giselle Beiguelman
    Giselle Beiguelman is a media artist and Professor at the School of Architecture and Urbanism of the University of Sao Paulo (FAU-USP). Her work include interventions in public spaces, networked projects and mobile art applications, exhibited
  • Gregory Chatonsky
    Gregory Chatonsky is an artist born in Paris in 1971. He currently resides in Montreal and Paris. He holds a philosophy master’s from the Sorbonne and a multimedia advanced degree from the Ecole nationale superieure des beaux-arts in Paris. He has
  • Patrick Lichty
    Patrick is a conceptual artist, curator, and theorist exploring how media shape our perception of reality as well as the borders between the digital and the materal. He is best known for his work with the virtual reality performance art group Second
  • The Undivided Mind -
    Title of paper and presentation: Fields of Networked Mind: Ritual Consciousness and the Factor of Communitas in Networked Rites of Compassion
  • The World in 2050 -
    Video: Networked and Compassionate Eco-Noetic Environments: Art, Technology Design and Education Beyond Utopia
  • Consciousness Reframed- Art and Consciousness in the Post Biological Era -
    Paper: Techno-Spiritual Horizons: Compassionate Networked Art Forms and Noetic Fields of Cyborg Body and Consciousness
  • Julie Freeman
    Julie Freeman works with natural systems and emergent technologies. Her large scale installations and online artworks have, since the early 1990s, pioneered her conceptual and critical approach to working with real-time data as a living and
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