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  • Die Chancen der Unschärfe -
    Ruth Schnell, lecture: "SEHEN WIE MAN SEHEN"
  • Potential Spaces. Wie können Kunst & Design im 21. Jahrhundert erforscht und gelernt werden? -
    Potential Spaces Wie können Kunst & Design im 21. Jahrhundert erforscht und gelernt werden? Do, 16.02.2017 – Sa, 18.02.2017, Staatliche Hochschule für Gestaltung Karlsruhe (HfG); Großes Studio, ZKM_Kubus Beschreibung Die Konferenz »Potential
  • Changes of State -
    Elgin Talkies is a 110-year old theatre in Shivaji Nagar. This electrical installation, mostly held up with cellotape and binding wire and reconfigured almost every day, was up for 5 evenings at the theatre and on the street outside it. The
  • Mirror Room, The Trap Interiors -
    A narrow band of chances and the infinite beyond whose name I forgot.
  • Artificial Paradise?Immersion in Space and Time -
    Banz & Bowinkel, Ivana Bašić, Paul Chan, Frauke Dannert, Harun Farocki, Olga Fedorova, Johann Kniep, Marc Lee, Manuel Roßner, Gerriet K. Sharma, Jakob Kudsk Steensen, Addie Wagenknecht In autumn 2018, the Künstlerhaus, Halle für Kunst & Medien will
  • Interactive Plant Growing - video
    "Interactive Plant Growing" is an installation, which deals with the principle of the growth of virtual plant organisms and their change and modification in real time in the 3-dimensional virtual space of a 4D Graphics Computer (Silicon Graphics).
  • The Machine in the Garden -
    Not only does god play dice... but he sometimes throws them where they can't be seen - Stephen Hawking THE MACHINE IN THE GARDEN is an interactive videodisc installation dealing with gambling and spirituality, twin distillates of our
  • Maria Fernandez
    María Fernández is Associate Professor in the Department of History of Art and Visual Studies at Cornell University and currently serves as Director of Graduate Studies. She received her doctorate in art history from Columbia University in 1993. Her
  • Elastic Fax 2 -
    Artists around the world were invited through the Internet to transmit sequential images, to form by chance the sequences of a self-organizing fax movie. The fax machine was placed above eye level, to create the feeling of a large projector as the
  • Alexandra Ehrlich Speiser
    Manifesting randomness ​ Alexandra Ehrlich-Speiser creates manifestations of the random. Using arbitrary decisions and consciously brought about glitches in machines and digital systems she creates poetic experiences that recontextualize the
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