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  • BIOS 4 -
    DEFINITIONS AND TOOLS Artbiotics - beyond the contemporary: art, biology and environment in the 21st century. Artbiotics is an open interactive and semantic plataform dedicated to biotech and enviromental art. Artbiotics is a work in progress.
  • ARS MEMORIA: ART, IDENTITY AND LOCATIONAL MEMORY
    Featured this month: ARS MEMORIA: ART, IDENTITY AND LOCATIONAL MEMORY Curated by Dr Shaun Wilson This exhibition presents artwork that incorporates issues of identity by using the image as a mode of articulating, and from this coming to terms
  • valija diplomática low cost diplomatic bag
    casares, nilo, ed. valija diplomática low cost diplomatic bag. Vol.1. 1ª th ed.valencia, spain: ediciones del comisario, 2015.
  • Es arte contemporáneo, imbecil - Comisarios de arte digital para sacarlos del gueto, a minima
    Arns, Inke and Jacob Lillemose. Es arte contemporáneo, imbecil - Comisarios de arte digital para sacarlos del gueto, a minima new media, actual art 13 (2005): 164-175.
  • 3rd Bahia Biennial: Arquivo e Ficção -
    Comission: Beleza Convulsiva Tropical (Convulsive Tropical Beauty). Curator: Ana Pato
  • Dragon - video
    An air-inflated dragon was comissioned for William Klein's film Mr. Freedom. This creature was recycled in a number of urban events where people simply carried it through the streets.
  • Lin Pey-Chwen
    Lin Pey-Chwen was born in Ping-tong County, Taiwan in 1959. She received a Doctor of Creative Arts from the University of Wollongong, Australia in 1996. She was chairwoman of the Graduate School of Multimedia and Animation Arts, National Taiwan
  • CIHA Beijing -
    Event: CIHA BeijingInstitution: Comité International d'Histoire de l'Art (CIHA)Comment:
  • Introduction to Interactive Art
    Sakane, Itsuo. Introduction to Interactive Art In Wonderland of Science-Art (Comittee for Kanawaga International Art and Science Exhibition), , 3. Kanagawa, Japan: 1989.
  • Haptic Opposition -
    Haptic Opposition is centered around a mechanically movable text display driven both by human beings and machine control. Different modes of force feedback interaction are embedded, as machine on its own, following the human movements, or opposing
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