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  • RODRIGUES LUCENA, TIAGO FRANKLIN and SUÉLIA RODRIGUES FLEURY ROSA and Cristiano MIOSSO and Ricardo DA SILVA TORRES and TED KRUEGER and Diana Domingues. Walking and health: an enactive affective system. Digital Creativit 27 (2016): 314-333.
  • DOMINGUES, DIANA MARIA G. Ouroboric perception and the effects of enactive affective systems to the naturalization of Technologies. Media-N, Journal of the New Media Caucus 16 (2016): 20.
  • DOMINGUES, DIANA MARIA G and Cristiano MIOSSO and F Rosa and Carla Aguiar and Tiago Lucena and M Miranda and Adson Rocha and Ramesh RASKAR. Embodiments, visualizations, and immersion with enactive affective systems The Engineering Reality of
  • William Kentridge -
    Though William Kentridge is one of the most compelling interdisciplinary artists of our time, five years ago he was largely unknown outside of Johannesburg, South Africa, where he was born in 1955 and continues to live today. There were many reasons
  • Arguendo
    Arguendo re-enacts the 1991 Supreme Court Case Barnes v. Glen Theatre, initiated by a group of go-go dancers against an Indiana law banning public nudity. Electronically mediated with references to relevant court cases and the First Amendment, the
  • .. an artist, writer and curator, who has worked in the field of Bio Art since the late Nineties ..
  • Cassandra
    30 panel polytych, acrylic, ink and enamel reverse painting on acrylic sheet, 227.5 x 396 cm, 2009
  • video, 7.40’ The video Bodyfraction parallels microscopic images of fragments of the artist’s body (tooth enamel, skin, nails, hair etc.) with recordings of drawings and light-sensitive objects created on their basis. Drawings were digitally
  • Kinetic Flow -
    George Legrady's work consists of a series of vibrantly colored, 14' x 22' 6" porcelain enameled steel panels on the angled concrete wall above the staircase and escalator unit at the entrance to LA City College station. Algorithmically generated
  • DOMINGUES, DIANA MARIA G. The clarity of Edmond Couchot's thought: from interactive rituals to affective enactive systems conducive to the naturalization of technology In For a digital imagination with Edmond Couchot. Hybridizations between the