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  • Origins and Futures
    In Origins and Futures, pyrite, a mineral commonly known as “fool’s gold” glimmers with novelty and seduction. Its crystalline structure and reflecting light attracts the viewer’s eye without hesitation. The piece is based on A.G. Cairns-Smith’s
  • After Tomorrow -
    If we consider the Revelation to John as a veritable scenario of the Apocalypse its realization (the reality always differs from the scenario) can look in the following way. There is a world where one part of the survived passed into a new form of
  • Gegen die Zeit - video
    Dynamic video installation [English title, Against Time] After the piece 'In between' (1999), 'Gegen die Zeit' is another installation for the secularized Johanneskirche in Feldkirch. The video projection depicts a female arm holding either a brush
  • Sara Diamond
    Dr. Sara Diamond is the President of OCAD University, Canada's "university of the imagination". She holds a PhD in Computing, Information Technology and Engineering from the University of East London, a Masters in Digital Media theory from the
  • Franco Mazzucchelli
    Research into the nontraditional materials of sculpture has accompanied my artistic career in the search for the relation between the work and the exhibition site understood as social sphere, architectural context or an urban space. A work of art
  • Art/Architecture; Taking Over the Joystick of Natural Selection
    Unger, Miles. Art/Architecture; Taking Over the Joystick of Natural Selection The New York Times (April 25th 1999).
  • Taking Ontario Mobile
    Diamond Sara. Taking Ontario Mobile. Toronto, Ontario Canada: OCAD University, 2012.
  • On Architecture: New Materials and Design in Architecture and Art -
    I will be taking part in the panel on the VR at OA.
  • Floating Signs -
    Light installation in public space, 2011-present Harbour, Bregenz (A), invited competition Departing from ambiguous concept and image worlds related to terms like harbour, arrival, staying (also being allowed or having to stay), 'Floating Signs',
  • Alexandra Dementieva
    Lives and works in Brussels The idea of interaction between the viewer and an artwork, mediated by technologically progressive visualization methods, lies at the core of her work. In her installations she uses various art forms on an equal basis:
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