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  • ... Ãsthetisierung der Wirklichkeit, Entrüstung der Sinne In Digitaler Schein. Ästhetik der elektronischen Medien, edited by Florian...
  • Kunstfrühling 2014 -
    ... erstellt Mercado Verbindungen zwischen organischer und digitaler Welt. Zur Anwendung kommen DNA, Kompost, Hexadezimalzahlen... Strategien eingesetzt, um Van GoghsSonnenblumengemälde auf neuartige Weise durchzuspielen.
  • Paper accepted, conference canceled due to pandemic.
  • ... una amplia red de reservas de biodiversidad para organismos digitales In Ars Telematica, Telecomunicacion, Internet y...
  • ...Bosco, Roberta. Viaggi and Tecnologia Net Art: tavolozze digitali Gulliver (Rizzoli Periodici) (January 2001): 124-131. Bosco, Roberta. Viaggi and Tecnologia Net Art: tavolozze digitali Gulliver (Rizzoli Periodici) (January 2001): 124-131.
  • ...Weibel, Peter. Digitalität als Vorschein der künftigen Welt In Konsum and Kommunikation, edited by Galerie V\&VWien: 1986.
  • ... Wolfgang and Monika Fleischmann. New Media Arts—The Thinking Space for Digitality In Creating Digitally. Intelligent Systems Reference Library,... Strauss Wolfgang and Monika Fleischmann. New Media Arts—The Thinking Space for Digitality In Creating Digitally. Intelligent Systems Reference...
  • ...Shaw, Jeffrey. Movies after Film - The Digitally Expanded Cinema In New Screen Media. Cinema/Art/Narrative, edited by Martin Rieser and Andrea... - The Digitally Expanded Cinema In New Screen Media. Cinema/Art/Narrative, edited by Martin Rieser and Andrea Zapp, 268-275....
  • ...Del Favero, Dennis. Digitally Expanded Forms of Narration In (dis) Locations, edited by Dennis Del Favero and Jeffrey ShawKarlsruhe: ZKM... Jeffrey ShawKarlsruhe: ZKM Karlsruhe and The Collegea of Fine Arts, University of New South Wales, Sydney and Cinemedia, Melbourne, ...
  • ...Martin Rieser and Andrea Zapp, ed. Movies after Film - The Digitally Expanded Cinema. London: British Film Institute, 2002. Martin Rieser and Andrea Zapp, ed. Movies after Film - The Digitally Expanded Cinema. London: British Film Institute, 2002.