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Transgenic Art 1998

Kac, Eduardo. Transgenic Art Leonardo Electronic Almanac 6, no. 11 (December 1998).
A MAZE ABOUT MAIZE: A MESOAMERICAN DIVINITY AND ITS TRANSGENIC AVATARS 2011

Badani, Pat. A MAZE ABOUT MAIZE: A MESOAMERICAN DIVINITY AND ITS TRANSGENIC AVATARS [14.09.2011].
Eduardo Kac; Lagoglyphs, Biotopes and Transgenic Works 2010 - 2010

Event: Eduardo Kac; Lagoglyphs, Biotopes and Transgenic WorksInstitution: Oi Futuro!Comment:
Pulse Park 2008 - 2008

In Pulse Park, evening visitors to Madison Square Park have their systolic and diastolic activity measured by a sensor sculpture installed at the North end of the Oval Lawn. These biometric rhythms are translated and projected as pulses of
Lebendige Bilder schaffen: Virtuelle Realität, Artificial Life und Transgenic Art 2000

Grau, Oliver and j. Joerges. Lebendige Bilder schaffen: Virtuelle Realität, Artificial Life und Transgenic Art In Sieben Hügel: Dschungel. Sammeln, Ordnen, Bewahren: Von der Vielfalt des Lebens zur Kultur der Natur, edited by B.-M. Baumunk,
Eduardo Kac; Lagoglyphs, Biotopes and Transgenic Works + Hodibis Potax” 2010 - 2010

Event: Eduardo Kac; Lagoglyphs, Biotopes and Transgenic Works + Hodibis Potax”Institution: Museum of Image and SoundComment:
Por un Arte Transgenic 2000

Machado, Arlindo. Por un Arte Transgenic De la Pantalla al Arte Transgenico (2000): 253-260.
Private Views - the Role of the Viewer in Networked Digital Models of Narration 2000

Zapp, Andrea. Private Views - the Role of the Viewer in Networked Digital Models of Narration In De la Pantalla al Arte Transgénico, edited by Jorge La Ferla, 186-192. Buenos Aires: Libros Del Rojas, Universidad Buenos Aires, 2000.
La belleza y la rescritura de un nuevo mundo: Arte transgénico 2001

Rivera, Daniel. La belleza y la rescritura de un nuevo mundo: Arte transgénico La Jornada (February 2001).
Nowe obrazy z zycia: Rzeczywistosc wirtualna, sztuka genetyczna i transgeniczna 2001

Grau, Oliver. Nowe obrazy z zycia: Rzeczywistosc wirtualna, sztuka genetyczna i transgeniczna Kwartalnik filmowy 35-36, no. XXI (2001): 108-119.

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