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Schwelle: Sensor Augmented, Adaptive Sound Design for Live Theatrical Performance 2007

Salter, Chris and Marije Baalman and Daniel Moody-Grigsby. Schwelle: Sensor Augmented, Adaptive Sound Design for Live Theatrical
Performance In Proceedings for the 7th Annual Conference in New Interfaces for Musical Expression (NIME 2007), edited...
Sponge: A Case Study in Practice-based, Collaborative Research 2005

Salter, Chris and Cognition. Sponge: A Case Study in Practice-based, Collaborative Research In Proceedings for the 4th Annual ACM Conference in Creativity and Cognition, Goldsmiths College, London, edited by Proceedings for the 4th Annual ACM...
Machine Times 2000

Brouwer, Joke. Machine Times. Rotterdam: NAI Publishers, 2000.
Reflections on the 8th International Biennale of Champ Libre 2009

Chris Salter. Reflections on the 8th International Biennale of Champ Libre Etc: Revue de L’Art Actuel (March 2009).
Chronopolis: Inhabiting Time 2004

Salter, Chris and Erik Adigard. Chronopolis: Inhabiting Time Loudpaper Magazine (June 2004).
The Architecture of Listening, Crossfade: Sound Travels on the Web 2000

Chris Salter. The Architecture of Listening, Crossfade: Sound Travels on the Web .
Sponge: The Surface That Holds the Image is Unstable 2000

Chris Salter. Sponge: The Surface That Holds the Image is Unstable ec/artsS 2[00-01]: Special: Textualities and Nouvelles Technologies 2, no. 1 (Fall 2000).
The Cybernetic Stance: My Process and Purpose 1968

Ascott, Roy. The Cybernetic Stance: My Process and Purpose Leonardo 1, no. 1 (1968): 105-112.
Artists on Their Art 1968

Roy, Ascott. Artists on Their Art Art International 12 (1968): 22.
The Construction of Change 1964

Ascott, Roy. The Construction of Change Cambridge Opinion, Modern Art in Britain January (1964): 37 - 42.

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