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  • "Nothing of him that doth fade ..." -
    Event: "Nothing of him that doth fade ..."Institution: BrandhorstComment:
  • sitestepper, relational architecture 10 -
    SITESTEPPER is an Internet program that shows a 3D view of an apparently "neutral" living room. This space can be transformed automatically by scanning a website to extract its images, texts, colours and sounds. The system analyzes the contents of
  • Valise in an iPod
    Valise in an iPod follows after Duchamp's Readymade mini-museum, "Box in Valise" ( 1935-41 ). Valise in an iPod plays with the tension between the mass object and the reproducibility of the digital object, the promotional nature of consumer branding
  • Agnes Meyer-Brandis
    Agnes Meyer-Brandis is an Artist who concentrates on the Interface of Art and science. Other themes of her are the search for differentiation of fact and fiction, fantasy and Technology.
  • Collage: The Making of Modern Art
    Taylor, Brandon. Collage: The Making of Modern Art. London: Thames & Hudson, 2004.
  • Subtitled Public -
    Subtitled Public consists of an empty exhibition space where visitors are detected by a computerised surveillance system. When people enter the space, the system generates a subtitle for each person and projects it onto him or her: the subtitle is
  • The Art Collider
    Event: The Art ColliderInstitution: INHA, Musée du Quai BranlyComment:
  • Os ambientes interativos como mediadores na construção de duplos digitais.
    Tavares, Monica. Os ambientes interativos como mediadores na construção de duplos digitais. Anais do 15 Econtro Internacional de Arte e Tecnología Brasilia, Brasil: Universidade de Brasilia , no. ISSN 2238-0272 (February 2016): 405-406.
  • Panorama de Arte e Tecnologia do Brasil
    Machado, Arlindo and Silvia Laurenitz and Fernando Iazzetta. Panorama de Arte e Tecnologia do Brasil http://www.itaucultural.org.br.
  • O "curto-circuito" da arte digital no Brasil
    GASPARETTO, Débora Aita, ed. O "curto-circuito" da arte digital no Brasil. Vol.1. 1, 1 th ed.Santa Maria: edição do autor, 2014.
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