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Portfólio, DesConcerto.
2004
Michelin, Simone. Portfólio, DesConcerto. ECO-Pós “Televisão, produção, programação, recepção” v.7, no. n.1 (Jan-July 2004): 127- 133.
Earth day impromtu
1990
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1990
EarthDay Impromptu (1990) was an event organized collaboratively. It included artists Eduardo Kac, Carlos Fadon and Irene Faiguenboim (Chicago) and Bruce Breland of the DAX Group of Carnegie Mellon University in Pittsburgh, among other artists in
Steady State
1989
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1989
Steady State was commissioned by TVE (Television of Spain) for a 14 part television series titled El Arte del Video (The Art of Video). This piece and other work by Allen were featured in the program, Computers in Video Art. (Rebecca Allen)
Behave
1987
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1987
This work examines the ways we communicate through our behavior. Commissioned by Rebo High Definition Studios, New York, it is the first example of computer animation recorded to the HDTV (High Definition Television) format. Animation was
Laberint
1992
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1992
Laberint is a single-channel video based on the Platonic myth that woman and man were once one androgynous form. Live-action and computer generated characters weave between real and virtual worlds. Commissioned by Catalunya Television (TVC), the
Grove
1994
This videoinstallation offers an artificial and hybrid grove with trunks which support television sets with images of tree trunks. These pieces of trees like life pieces contrast with the trunks images which turn on the screens. It provokes a
Shock Absorber
2001
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2001
In "Shock Absorber" a live feed is taken from broadcast television and separated it into two parts in real time. One part contains all the movements, edits and high frequency visual stimulation. The other part contains everything that is left over
ArtFem.TV
2008
ArtFem.TV is an online television programming presenting Art and Feminism. The aim of ArtFem.TV is to foster Women in the Arts, their art works and projects, to create an international online television screen for the creativity, images and voices
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1997
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1997
Video installation Series 'Bags' Ten bags, stacked with their opening facing forward, form a free-standing sculpture. The flicker of a television picture is projected onto the front, and the image of the abstract television image continues into the
transmediale '98: Stocktaking Vision
1998
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1998
For the first time in its history, the transmediale festival had a motto: STOCKTAKING VISION. The festival took stock of where television and all the new media have gotten us so far, and what they have given us.
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