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  • This project explores the value of immaterial production in a virtual world, and if and how this can be transferred into an economy of material production. We have collected a series of immaterial objects produced and owned by inhabitants in the
  • Transfinite 7347 -
    Audiovisual installation at Park Avenue Armory, New York.
  • Sky -
    Sky is a collection of conceptual pieces to transform nuclear weapons into works of art. (Iris-Project) (source: http://www.quadrantcrossing.org/papers/CAE_catalogue_MTL.pdf#search=%22george%20gessert%20iris%22)
  • DOMINGUES, DIANA MARIA G. Cenários cíbridos: átimos calmos em comunicação ubíqua e móvel por conexões transparentes In A Cibercultura em Transformação: Poder, Liberdade e Sociabilidade (ABCiber Vol.2), edited by Eugenio TRIVINHO and Edimilson
  • Event: Sommerer, Christa, “Interactive Art and Experience Design for Public Spaces“, Lecture at USART - Transformar y sentir el espacio comun de la ciudad Bilbao (Spanien), 13.12.2013Institution: USARTComment:
  • Live audio-visual transformation and dematerialization of the viewer. [prototype] (source: http://www.zakros.com/projects/narcissus/index.html)
  • spectra -
    date | place MAY 4 - JUN 20, 2001 Mica Moca, Milan, IT concept, composition: Ryoji Ikeda commissioned by Mica Moca, 2001 spectra is a series of large scale installations employing intense white light as a sculptural material.
  • DYNASTY - video
    "DYNASTY" is Stenger's third Virtual Reality movie, programmed for web-based VRML, but also conceived for immersion. Synopsis: A child again, you encounter ancestors from a remote past, who welcome you to your Dynasty. Together you will reach
  • Windows Media Player software, with graphic sound transformation function. An extract from a video gleaned on the Internet, with only the sound on. Video extracts of pornographic films projected non-stop. The software gives infinite possibilities
  • Explosions in the Sky -
    The video is a game between pressures: the atmospheric pressure, the artificial pressure and the digital com-pressure; the result are fragments, material, picture and sound units. The bottom and the top seems fighting but, in reality, this is their