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  • On Software as Art
    Broeckmann, Andreas. On Software as Art Sarai Reader Shaping Technologies (2003): 215-218.
  • On sight -
    An interactive digital video projection installation
    1 large scale projection, colour, silent 10 x 12 x 6 metres

    The position of the viewer in front of the image controls the activity of the various objects on the screen. At the bottom of the...
  • On Prototypes: Should We Eat Mao’s Pear, Sail Saint-Exupéry’s Boat, Drink with Heidegger’s Pitcher, or Use Nietzsche’s Hammer to Respond to the Crisis?
    Kera Denisa. On Prototypes: Should We Eat Mao’s Pear, Sail Saint-Exupéry’s Boat, Drink with Heidegger’s Pitcher, or Use Nietzsche’s Hammer to Respond to the Crisis? In Pedagogies of Disaster, edited by Adam Staley Groves Vincent W.J. van Gerven Oei,...
  • On physiological computing with an application in interactive art
    Everitt, Dave and Ernest Edmonds and Michael Macaulay and Greg Turner. On physiological computing with an application in interactive art Interacting with Computers Volume 16, Issue 5, no. https://doi.org/10.1016/j.intcom.2004.08.003 (October 2004):...
  • On Mathematical Analysis of Style
    Fucks, Wilhelm. On Mathematical Analysis of Style Biometrika 39, no. 1/2 (April 1952): 122 - 129.
  • On Location: landscape cinema and digital memory
    Parker, Kayla and Stuart Moore. On Location: landscape cinema and digital memory AVANCA | CINEMA 2017 (July 2017): 251-255.
  • On Location: Kayla Parker
    Presentation of digital film as largescale projection with amplified stereo sound from DCP on continuous loop in the cinema, for seated audience; for Plymouth Arts Centre's exhibition programme of artist's moving image (premiere, 10 to 19 January...
  • On Location
    A hybrid form of landscape cinema capturing the year of an unnamed hollow way that forms the stream bed for several springs in a remote area of rural mid-Devon, Britain. Made in collaboration with the cinematographer and sound recordist Stuart Moore,...
  • On Location
    Parker, Kayla. On Location Screenworks 7, no. 3 (December 2017).
  • On Line, Life Line, Art Shifts
    Benayoun, Maurice. On Line, Life Line, Art Shifts e-what, Conquest of Time (April 2002).
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