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Liquid Selves
1992
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1992
This piece depicts the upcoming struggle between the virtual and physical sides of our selves. As technology brings us the age of virtual worlds, our existence as individuals becomes less and less dependent on our physical being. Our virtual
Vid-A-Feeba
1999
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1999
Vid-A-Feeba is a play with a chaotic process applied to the generation of artistic images and sounds. The images follow the iterated evolution typical of chaotic systems showing quick change in the visual patterns depending on the bifurcation
"Shapes in Maia" ( Photography )
2012
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2012
"Shapes in Maia" ( Photography )Artist: German GomezComment:
Making of Eve Clone I
2016
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2016
video
In the video Making of Eve Clone I, I looked back and represented the process of me creating Eve Clone and the evolution of her body in each period. From the original drafting of Eve Clone, which recorded my inspiration of drawings, to using
San Marco Flow
2005
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2005
"San Marco Flow" layers all the actions of people and pigeons on Piazza San Marco in Venice into a pair of evolving images representing two views of the recent history of activities there. The images are, in effect, lit by animate presence; things
X
2012
The unknown X becomes a whole symphony of shapes... In a universe where everything is by itself yet can intersect with each other, cross-action seems the best way to solve an unknown equation.
The Other Shapes of Art
2020
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2020
Paper accepted: Contemporary Immersive Strategies of Digital Arts: Emilio Vavarella and its Contemporaries. Conference canceled due to pandemic.
« The Shaping of New Visions: Photography, Film, Photobook from the MOMA collection »
2012
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2012
Event: « The Shaping of New Visions: Photography, Film, Photobook from the MOMA collection »Institution: MoMA, NYComment:
European Media Art Festival 1998
1998
EMAF 1998 addressed the structures of a mediatised society shaped by the simultaneousness of different systems. In everyday life, too, we are surrounded by perception situations taking place in parallel, explained the American Pat O’Neill, to whom
Tulika Aasma
I am a practicing artist based out of Delhi and Baroda, India. My practice draws from preoccupations with technology and how they play a role in shaping politico-cultural narratives in society. My interests trace back to examining the logics, tools
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