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  • Kac, Eduardo. Ornitorrico and Rara Avis: Networked Teleprescence Art Leonardo 29, no. 5 (1996): 389-400.
  • This interactive installation integrates virtual reality, robotics and telepresence with a high aesthetical content as well as an suggestive and enigmatic interaction. The Real ambience represented by a physical structure under the form of an Arena.
  • Uirapuru -
    Uirapuru (1996/99), by Eduardo Kac, was shown from October 15 to November 28, 1999, at the InterCommunication Center (ICC), Tokyo. A flying fish hovers above a forest in the gallery, responding to local as well as Web-based commands. Audio and video
  • Eduardo Kac pioneered telepresence art in 1986, when he created his first wireless robot, a remote-controlled anthropomorphic figure through which human participants could engage in conversation. In 1989 Kac developed with Ed Bennett the telerobot
  • I first conceived the Telepresence Garment in 1995 to investigate the notion of the mediascape as an expanded cloth; i.e., to consider wireless networking as a new fabric that envelops the body. The Garment, which I finished in 1996, gives
  • Bolas, M.T. and Scott S. Fisher. Head-Coupled Remote Stereoscopic Camera System for Telepresence Applications Stereoscopic Displays and Applications 1256 (1990): 113-123.
  • Fisher, Scott S.. Virtual Environments: Personal Simulations and Telepresence In Virtual Reality: Theory, Practice and Promise, edited by S. Helsel and J. RothWestport, Connecticut: Meckler Publishing, 1991.
  • Kac, Eduardo. Ornitorrinco: Exploring Telepresence and Remote Sensing Leonardo 24, no. 2 (1991): 233.
  • Kac, Eduardo. Telepresence Art In Teleskulptur, edited by Richard Kriesche, 48-72. Graz, Austria: Kulturdata, 1993.
  • International Feel -
    "International Feel" was David Rokeby re-installation of his earlier work "Body Language." It took place in the context of the Strategic Arts Initiative 2.0, a re-installation of the seminal 1986 telepresence exhibition "Strategic Arts Initiative"