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Tense Present 2020

Kleindients, živa and Peter Tomaz Dobrila, ed. Tense Present. Maribor: KIBLA, 2020.
Terrarium 2003 - 2003

Embodiments in Artificial Worlds. Kibla Multimedia Center, Multimedia Centre Cybersrcelab, Maribor, Slovenia. Período: 7 a 14 de maio de 2003. Peter Dobrilla
Interactive Plant Growing 1994

Sommerer, Christa and Laurent Mignonneau. Interactive Plant Growing In Arte Virtual - Doce propuestas de Arte Reactivo, edited by Rafael Lozano-HemmerMadrid: Electa Edition, 1994.
El vídeo y las vanguardias históricas 1997

Baigorri, Laura. El vídeo y las vanguardias históricas. Colección Textos Docentes n°.95, Barcelona, Spain: Edicions de la Universitat de Barcelona, 1997.
Arte pós-virtual: criação e agenciamento no tempo da Internetdas Coisas e da próxima natureza(Post virtual: art in the Internet of Things age 2013

Beiguelman, Giselle. Arte pós-virtual: criação e agenciamento no tempo da Internet das Coisas e da próxima natureza (Post virtual: art in the Internet of Things age In Cyber-Arte-Cultura: A trama das redes, edited by Fernando PessoaVol.7.
Luciferins: Simone Michelin 2012

Michelin, Simone. Luciferins: Simone Michelin https://issuu.com/simonemichelin/docs/michelin-luciferinas_08f00c167e72c5.
Eighty Seven Questions About Artistic Research 2015

Caviezel, Flavia & Schwander, Markus and Pat Badani, ed. Eighty Seven Questions About Artistic Research. Vol.ELIA Conference: Economies of aesthetics. https://issuu.com/swissartisticresearchnetwork/docs/170602_sarn_87-questions_epub_doppe th
Corpos Virtuais, Arte e Tecnologia 2005

Bentes, Ivana and Oliver Grau and Paula Sibilia and Simone Michelin. Corpos Virtuais, Arte e Tecnologia https://issuu.com/midiarte/docs/corposvirtuais.
Quoi de neuf, Docteur? Un lapin transgénique interdit d'exposition à Avignon. 2000

Chayette, Sylvie. Quoi de neuf, Docteur? Un lapin transgénique interdit d'exposition à Avignon. Le Monde Interactif (June 2000).
Where where there there where 1998 - 1998

Enter the mechanics of a mind shot through by the forces of elctromagnetism, language and logical torment. Inspired by the play Doctor Faustus Lights the Lights. A collaboration between Zoe Beloff and the Wooster Group Theater Company.

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