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Vectorial Elevation, Relational Architecture No.4
2000
Lozano-Hemmer, Rafael, ed. Vectorial Elevation, Relational Architecture No.4. Cuauhtemoc, MEX: Conaculta, 2000.
Spain Wide Web
1996
Lozano-Hemmer, Rafael and Susie Ramsay. Spain Wide Web Telepolis, Heise online (April 1996).
A Critical Review of Rafael Lozano-Hemmer's Work in Venice
2007
Sukuraman, Ashok. A Critical Review of Rafael Lozano-Hemmer's Work in Venice .
Rafael Lozano-Hemmer: Vectorial Elevation, Relational Architecture No. 4
2002
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2002
Event: Rafael Lozano-Hemmer: Vectorial Elevation, Relational Architecture No. 4Institution: Artium - Basque museum-Center of Contemporary ArtComment:
Rafael Lozano-Hemmer: Vectorial elevation relational architecture 4
1999
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2000
Event: Rafael Lozano-Hemmer: Vectorial elevation relational architecture 4Institution: The Montreal Museum of Fine ArtsComment:
Rafael Lozano-Hemmer: Amodal Suspension
2003
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2003
Event: Rafael Lozano-Hemmer: Amodal SuspensionInstitution: Yamaguchi Center for Arts and Media (YCAM)Comment:
Rafael Lozano-Hemmer: Relational Architectures
2003
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2003
Event: Rafael Lozano-Hemmer: Relational ArchitecturesInstitution: Bo01 City of TomorrowComment:
Recorders: Rafael Lozano-Hemmer
2010
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2010
Recorders is a major new exhibition by Mexican-Canadian electronic artist Rafael Lozano-Hemmer. The artworks in Recorders see, hear and feel the actions of people around them, using technology to create a playful yet ominous experience. This solo
Máquinas y almas: arte digital y nuevos medios
2008
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2008
Curators: Montxo Algora y José Luis de Vicente. Artists: Antoni Abad, Amorphic Robot Works, Ángel Borrego, David Byrne, Daniel Canogar, Vuk Cósic, Harun Farocki, Paul Friedlander, Mark Hansen, David Hason, Pierre Huyghe, Theo Jansen, Natalie
Real Time. Art en temps real
2016
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2016
Real Time. Art en temps real Arts Santa Mònica 28.01 – 10.04.2016 Artists: Guillem Bayo, Clara Boj i Diego Díaz, Martin John Callanan, Grégory Chatonsky, Thierry Fournier, Varvara Guljajeva i Mar Canet, Rafael Lozano-Hemmer, Nicolas Maigret, Katie
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