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  • Contre Temps -
    When Olga Kisseleva was invited to do a performance at Louvre Lens, she analyzed the layout of the museum. The Louvre Lens building, which is made up of several elongated and slightly curved modules, seems both open (to viewing, to interpretation,
  • How are you? -
    “How are you?” is a question that seems so simple as it is understood in the West, since it is no more than an introduction to language or a sign of recognition. We do not really answer. In Russia, you do not ask the question unless you want a full
  • "Reference Flow," 2009 1 or 5 Neon Exit Signs, motors, computerized surveillance tracking system, slip rings, custom software dimensions variable edition of 6, 1 AP "Reference Flow" is an interactive installation where a number of illuminated
  • Morse, Margaret. Tender Technology In Art As Signal: Inside the Loop, edited by Krannert Art Museum: 1995.
  • Phototropy
    Sommerer, Christa and Laurent Mignonneau. Phototropy In Art as Signal: Inside the Loop, edited by K. Chmelewski and N. Goggin and J. SquierChampaign, ILL: University of Illinois, Urbana-Champaign and Krannert Art Museum, 1995.
  • McGovern, Tammy, ed. Signal Culture Cook Book. Owego, NY: Signal Culture, 2014.
  • McGovern, Tammy, ed. Signal Culture Cook Book. Owego, NY: Signal Culture, 2014.
  • Art as Signal -
    Event: Art as SignalInstitution: Krannert Art MuseumComment:
  • TRIAD NetDance was a live Internet netcast between Helsinki, Tokyo and New York on 5th of June 1998. TRIAD NetDance took place simultaneously on three stages in three different countries. The dancer, choreographer Molissa Fenley was dancing in New