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On the Artists Works (Ulrike Gabriel)
1997
Gogota, Hisanori. On the Artists Works (Ulrike Gabriel) Online Publication (1997).
On Taking Back An Artifical Separation. Introduction to Sound Art Visual, Transmediale 05
2005
Schulze, Holger. On Taking Back An Artifical Separation. Introduction to Sound Art Visual, Transmediale 05 [].
On Sylvia Grace Borda's Camera Histories
2016
Travis, Rebecca. On Sylvia Grace Borda's Camera Histories Scottish Society for the History of Photography https://sshop.org.uk/2016/06/14/rebecca-travis/ (June 2016).
On Sylvia Grace Borda's Camera Histories
2016
Travis, Rebecca. On Sylvia Grace Borda's Camera Histories Scottish Society for the History of Photography https://sshop.org.uk/2016/06/14/rebecca-travis/ (June 2016).
On Sublime. Personal Experiment in Slovene Painting
2008
Brejc, Tomaž. On Sublime. Personal Experiment in Slovene Painting Art Words 85/86. Ljubljana: ZDSLU (2008).
On Sublime
1998
Berlot, Uršula. On Sublime Kolaps: Economia, Philosophia, Isu, Scientia , no. 6/7 (1998): p. 120-121.
On Sourcery and Daemons, or Code as Fetish
2008
Kyong Chun, Wendy Hui. On Sourcery and Daemons, or Code as Fetish Configurations: the Journal of the Society for Literature, Science, and the Arts , no. 16 (2008): 299-324.
On Software as Art
2003
Broeckmann, Andreas. On Software as Art Sarai Reader Shaping Technologies (2003): 215-218.
On sight
1991
-
1991
An interactive digital video projection installation
1 large scale projection, colour, silent 10 x 12 x 6 metres
The position of the viewer in front of the image controls the activity of the various objects on the screen. At the bottom of the...
On Prototypes: Should We Eat Mao’s Pear, Sail Saint-Exupéry’s Boat, Drink with Heidegger’s Pitcher, or Use Nietzsche’s Hammer to Respond to the Crisis?
2013
Kera Denisa. On Prototypes: Should We Eat Mao’s Pear, Sail Saint-Exupéry’s Boat, Drink with Heidegger’s Pitcher, or Use Nietzsche’s Hammer to Respond to the Crisis? In Pedagogies of Disaster, edited by Adam Staley Groves Vincent W.J. van Gerven Oei,...
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