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FABRICATION: EXAMINING THE DIGITAL PRACTICE OF ARCHITECTURE
2004
Beesley, Philip and Nancy Yen-Wen Cheng and R.
Sha
ne Williamson, ed. FABRICATION: EXAMINING THE DIGITAL PRACTICE OF ARCHITECTURE. Toronto: Riverside Architectural Press, 2004.
GRAVITY: PAMPHLET ARCHITECTURE 24
2003
Cathcart, Fatauzzi and van El
sla
nder. GRAVITY: PAMPHLET ARCHITECTURE 24. New York: Princeton Architectural Press, 2003.
Roma: THE LESSON OF ROME XX
2000
Haldenby, Eric and Beth Kapu
sta
. Roma: THE LESSON OF ROME XX. Toronto: Riverside Architectural Press, 2000.
Campos | Temporales
2022
-
2022
150 Media Stream has been curating video in
sta
llations for its unique architectural setting for over five years, featuring work by Chicago-area and international artists.
Repositioning Fear
1997
-
1997
video
Relational Architecture 3 RE:Positioning Fear was the third relational architecture project. A large
sca
le in
sta
llation on the Landeszeughaus military arsenal with a teleabsence interface of projected
sha
dows of passers-by. Using tracking
33 Questions per Minute, Relational Architecture 5
2000
-
2000
"33 Questions per Minute" consists of a computer program which uses gramatical rules to combine words from a dictionary and generate 55 billion unique, fortuituous questions. The automated question
s a
re presented at a rate of 33 per minute --the
Body Movies, Relational Architecture 6
2001
-
2006
video
"Body Movies" transforms public
spa
ce with 400 to 1,800 square metres of interactive projections. Thousands of photo portraits taken on the streets of the cities where the project is exhibited are shown using robotically controlled projectors.
Architecture of Knowledge
2009
Lecture
Nevel
2004
-
2010
A matrix of nine pivoting walls form
s a
labyrinth whose architecture continuously changes. A sequence of different compositions creates choreography of
spa
ces flowing into one another. It i
s a
n auto choreographic
spa
ce to wander and get lost in,
Compass
2005
-
2009
Compass i
s a
kind of orientation machine to wear around your waist that gives you directions while you are walking through virtual corridor
s a
nd rooms. These have been programmed to fit the physical exhibition
spa
ce or any other venue. The machine
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