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  • Computers and Appropriation Art: The Transformation of a Work or Idea for a New Creation
    Schwartz, Lillian F.. Computers and Appropriation Art: The Transformation of a Work or Idea for a New Creation Leonardo 29, no. 1 (1996): 43-49.
  • "Aesthetics, Politics and Economics of Attention. The New Role of the Artist in Public Space at the Digital Era", "Transformation, Innovation, and Leap Development"
    Event: "Aesthetics, Politics and Economics of Attention. The New Role of the Artist in Public Space at the Digital Era", "Transformation, Innovation, and Leap Development"Institution: BIT’s 1st Annual Global Congress of Knowledge Economy 2014
  • Future Room video
    Fulldome participatory installation as a metaphor for a prediction machine. Virtual space of knowledge where visitors trigger, via a voice recognition system, one of the twelve clouds of information on the future of work, education, democracy...
  • Shine Together-Turning Natural Melody -
    This work is based on the concept of the refraction of a triangular prism, playing with the transformation of light and shadow in combination with musical creativity. The result is shared on a cloud database, collecting each part of sharing and
  • Future Room video
    Fulldome participatory installation as a metaphor for a prediction machine. Virtual space of knowledge where visitors trigger, via a voice recognition system, one of the twelve clouds of information on the future of work, education, democracy...
  • Between Zero and One
    Strauss, Wolfgang and Monika Fleischmann. Between Zero and One BETWEEN ZERO AND ONE (1988) by Monika Fleischmann and Wolfgang Strauss (MFWS) exemplifies generative art by exploring virtual space through systematic computational transformations of 3D
  • Transformationen des Films
    Weibel, Peter. Transformationen des Films In Die Schatten im Silber. Österreichische Avantgard-Filme 1976-1987, edited by Lisl Ponger and Wolfgang Drechsler, 8-9. Wien: Museum des 20. Jahrhunderts, 1987.
  • Datenbank für Virtuelle Kunst
    Grau, Oliver and Ulrike Reinhard. Datenbank für Virtuelle Kunst In Digitale Transformationen. Medienkunst als Schnittstelle von Kunst, Wissenschaft, Wirtschaft und Gesellschaft, edited by Monika Fleischmann, 207-209. Heidelberg: Whois Verlag, 2004.
  • Going to the Heart of the Center of The Garden of Delights video
    The installation was made specifically for the neo-Gothic Vleeshal in Middelburg and consisted of a computer graphics video projection onto a large screen at the far end of the room opposite the entrance. Infra-red sensors and seven pairs of blue
  • Inhabitable Interfaces
    Huang, Jeffrey. Inhabitable Interfaces In Digital Media: Transformations in Human Communication, edited by P. Messaris and L. HumphreyNew York: Peter Lang Verlag, 2006.
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