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ETERNAL SHELVES
1996
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1996
"ETERNAL SHELVES" is Stenger's first Web Based VR work programmed in early VRML 1.0, silent and un-animated. 3D words expressing the most intense emotions in a human history (exile, transe, etc.) are sitting on gray shelves, creating sparks of
New Media - Mediality - cultural transfer
2002
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2002
Event: New Media - Mediality - cultural transferInstitution: Humboldt-Universität zu BerlinComment:
Transfer Download, Spring/Break Art Show
2019
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2019
Event: Transfer Download, Spring/Break Art ShowInstitution: Spring/ Break Art ShowComment:
Instruction Drawings
2003
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2003
... mobile phone is just ex
change
information. It enters...
transferring, storing, sharing and hybriding: The perfect humus
2010
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2010
video
Marcello Mercado transferring, storing, sharing and hybriding: The perfect humus, 2010 Hybrid-DNA-Performance-Bio-installation, 16'23", stereo 4:3 color http://vimeo.com/37691031 Information culled from digital archives, the human genome, satellite
The Latent Figure Protocol—a Photo-essay in: Genetics as Social Practice: Transdisciplinary Views on Science and Culture
2014
Prainsack, Barbara and Silke Schicktanz and Paul Vanouse and Gabriele Werner-Felmayer, ed. The Latent Figure Protocol—a Photo-essay in: Genetics as Social Practice: Transdisciplinary Views on Science and Culture. Farnham: Ashgate Publishing Ltd.,
Emergence and complexity: Some observations and reflections on transdisciplinary research involving performative contexts and new media
2007
Everitt, Dave and Alec Robertson. Emergence and complexity: Some observations and reflections on transdisciplinary research involving performative contexts and new media International Journal of Performance Arts & Digital Media , no.
Collaborative and Transdisciplinary practices in Cyberart: from Multimedia to Software Art installations
2006
DOMINGUES, DIANA MARIA G and Eliseo REATEGUI. Collaborative and Transdisciplinary practices in Cyberart: from Multimedia to Software Art installations Art Inquiry 8 (2006): 113-143.
Der Autor ist tot, es lebe der Autor – Autorschaften im Internet
2004
Simanowski, Roberto. Der Autor ist tot, es lebe der Autor – Autorschaften im Internet In Interaktivität: Ein transdisziplinärer Schlüsselbegriff, edited by Christoph Bieber and Claus Leggewie, 190-215. Frankfurt am Main: campus, 2004.
Florian Dombois
Geb. 1966 in Berlin. Studium der Geophysik und Philosophie in Berlin, Kiel und Hawaii. Promotion in Kulturwissenschaft bei Hartmut Böhme an der Humboldt-Universität Berlin. Seit 1994 Projekte und eigene Ausstellungen zur Verbindung zwischen Kunst
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