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  • Victor Acevedo
    ... a desktop computer art pioneer as he was an early adopter of pre-Windows personal computer software to create fine art in the early 1980s. He now works primarily on the Apple Macintosh platform. He has shown his work in over 130 group and solo art...
  • FILE - Electronic Language International Festival 2002 -
    ...In the FILE 2002 - electronic language international festival are exposed hundreds of interactive works. Most of them are online works, web art, net art, VRML, hypertexts, artificial intelligence, simulations and others. To see the 2002 works you can click at "FILE...
  • European Media Art Festival 1993
    ...In a time characterised by the loss of utopia and by major social and political change, creativity was called for – this was where artistic and philosophical concepts became increasingly important for creating new perspectives. Not the answer, but rather the search for...
  • Euoprean Media Art Festival 2002: New Images - New Storie. Art in Modern Media.
    ...Virtual actor or: how real is reality? The congress at EMAF 2002 explored films in which avatars (characters created on the computer) or "human" actors rather than real human beings act in virtual environments. This topic was reflected also in some of the film...
  • Featured Artist Suzanne Anker
    ......calling attention to the beauty of life and the necessity for enlightened thinking about nature’s ‘tangled bank’.
  • Featured Artist Victor Acevedo
    ...... Acevedo’s visual music explores the implications of synesthesia through computer animated geometry.
  • ADA_ArtistInterview_VictorAcevedo.pdf
    ... my main current project is completing a 400-page career survey bookbooked called Acevedo in Context which covers these years and art media:1977- 87: Analog Art: traditional media, painting, drawing, film1983 to 2007: Digital Art: archival ink...
  • Repositioning Fear - video
    ...Relational Architecture 3 RE:Positioning Fear was the third relational architecture project. A large scale installation on the Landeszeughaus military arsenal with a “teleabsence” interface of projected shadows of passers-by. Using tracking systems, the shadows were...
  • Processes: The Artist and the Machine. The audiovisual as register and memory in Media Art -
    ...On the exhibition could be seen for the first time in an open public display, the audiovisuals of the MIDE´s documentary archive, dialoguing with some of its most meaningful tangible artworks from its Electrographic Art Collection. Few audiovisuals that allow...
  • Raquel Herrera
    ... based in Barcelona and specialized in Digital Cultural Communication, meaning both Digital Media Studies and Digital Art in their theoretical aspects. I have written two books on narration in Digital Art: Tempus Fugit. El relato interactivo (which...
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