Archive Search

  • CAPTAS: an urban-mobile artistic intervention in Brazil
    NUNES, Fabio Oliveira and Braz BRAZ. CAPTAS: an urban-mobile artistic intervention in Brazil BST: Body, Space and Technology Journal (Brunel University) 11, no. 2 (2013).
  • CAPTAS: an urban-mobile artistic intervention in Brazil
    NUNES, Fabio Oliveira and Braz BRAZ. CAPTAS: an urban-mobile artistic intervention in Brazil BST: Body, Space and Technology Journal (Brunel University) 11, no. 2 (2013).
  • CAPTAS: an urban-mobile artistic intervention in Brazil
    NUNES, Fabio Oliveira and Braz BRAZ. CAPTAS: an urban-mobile artistic intervention in Brazil BST: Body, Space and Technology Journal (Brunel University) 11, no. 2 (2013).
  • CAPTAS: an urban-mobile artistic intervention in Brazil
    NUNES, Fabio Oliveira and Braz BRAZ. CAPTAS: an urban-mobile artistic intervention in Brazil BST: Body, Space and Technology Journal (Brunel University) 11, no. 2 (2013).
  • FACTORS 1.0 - Festival de Arte-Ciência-Tecnologia do Rio Grande do Sul
    O festival compõe o Simpósio de Arte Contemporânea que acontece desde 2006 na UFSM, realizado pelo Labart e promovido pelo PPGART/UFSM, sob coordenação da Profª. Drª. Nara Cristina Santos. Na esteira do 9º Simpósio de Arte Contemporânea, o FACTORS
  • Braziers International Film Festival
    Event: Braziers International Film FestivalInstitution: The Wrong BiennaleComment:
  • secret movements video
    A performance for cello, grand piano, soprano saxophone, surveillance cameras, live video mixing and projection. Two instruments accompany a silent movie. Hey, it's a living. But slowly they realize that not only are they reacting to the image.
  • Earth day impromtu -
    EarthDay Impromptu (1990) was an event organized collaboratively. It included artists Eduardo Kac, Carlos Fadon and Irene Faiguenboim (Chicago) and Bruce Breland of the DAX Group of Carnegie Mellon University in Pittsburgh, among other artists in
  • Trans-E: My Body, My Blood video
    In TRANS-E digital technologies provide us with an electronic ritual. Bodies connected by interfaces dialogue with computer electronic memories and can experience "virtual hallucinations" in real time. These "hallucinations" are managed by
  • Ouroboros video
    Environments: Memories, Serpentarium, Village, Terrarium By penetrating in OUROBOROS’ PLACES we experience the poetic existence in memescapes, inhabiting within artificial landscapes no longer made of earth, but of memory units. Interfaces and
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