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Margot Lovejoy

Artist: Margot LovejoyComment:
Victoria Vesna

Victoria Vesna, Ph.D., is a media artist and Professor at the UCLA Department of Design | Media Arts and Director of the Art|Sci center at the School of the Arts and California Nanosystems Institute (CNSI). She is currently a senior researcher at
Postmodern Currents, Art and Artists in the Age of Electronic Media 1997

Lovejoy, Margot. Postmodern Currents, Art and Artists in the Age of Electronic Media. Second Edition th ed.New York: Perason Education, 1997.
Context Providers. Conditions of Meaning in Media Arts 2011

Christiane Paul and Margot Lovejoy and Victoria Vesna. Context Providers. Conditions of Meaning in Media Arts. Bristol: Intellect Ltd., 2011.
Context Providers: Conditions of Meaning in Media Arts 2011

Nideffer, Robert and Margot Lovejoy and Christiane Paul and Victoria Vesna. Context Providers: Conditions of Meaning in Media Arts. University of Chicago: University of Chicago, 2011.
The Twelve Loveliest Things I Know 1995 - 1995

The Twelve Loveliest Things I KnowArtist: Chris HalesComment:
FILE GAMES RIO 2013 – GAME LOVER 2013

Perissinotto,Paula & Barreto,Ricardo, ed. FILE GAMES RIO 2013 – GAME LOVER. Vol.1000. 1 th ed.São Paulo: Paula Perssinotto & Ricardo Barreto, 2013.
vision.ruhr. Kunst Medien Interaktion auf der Zeche Zollern II/IV Dortmund 2000

Museen der Stadt Dortmund, ed. vision.ruhr. Kunst Medien Interaktion auf der Zeche Zollern II/IV Dortmund. Ostfildern-Ruit: Hatje Cantz, 2000.
The Art of Real Time 2001

Palmer, Daniel. The Art of Real Time In Politics of a Digital Present: An Inventory of Australian Net Culture, Criticism and Theory, edited by Hugh Brown and Geert Lovink and Helen et. al. Merrick, 215-223. Melbouren, AUS: Fibreculture, 2001.
Transcoding Sovereignty: Naked Bandit/Here, Not Here/White Sovereign 2005

krcf. Transcoding Sovereignty: Naked Bandit/Here, Not Here/White Sovereign In Sarai Reader 2005: Bare Acts, edited by Monica Narula and Shuddhabrata Sengupta and Jeebesh Bagchi and Geert Lovink, 111-114. Delhi: Sarai Media Lab, 2005.

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