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The Golden Calf
1999
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1999
Event: The Golden CalfInstitution: National Museum of Photography, Film & Television at BradfordComment:
Wired Worlds
1999
Event: Wired WorldsInstitution: National Museum of Photography, Film & Television at BradfordComment:
National Museum of Photography, Film & Television at Bradford
Diana Domingues: Urban Art
2019
DOMINGUES, DIANA MARIA G and S DIAMOND. Diana Domingues: Urban Art In Parallel processing: public art and new media art, edited by Bradford Buckley and John ConomosVol.1. , 1-10. Hoboken: John Wiley & Sons Inc., 2019.
Art and Science as Creative Catalysts
2015
Gates-Stuart E; Lovell D; L. Nyugen C; Adcock M; Bradley J; Morell M;. Art and Science as Creative Catalysts (Special Section of Leonardo Transactions “Highlights from the IEEE VIS 2013 Arts Program (VISAP’13), edited by Angus Forbes.”.
O instrumento ludico ou o sentido dos sentidos
1999
Fleischmann, Monika. O instrumento ludico ou o sentido dos sentidos In Conferencia Internacional sobre Technologias e Mediaco. Real vs. virtual, edited by Jose Braganca de Miranda, 365-371. Lisboa: Ediciones Cosmos, 1999.
BRAINSONGS - WELCOME TO MY BRAIN
2001
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2002
W E L C O M E T O M Y B R A I N The human brain has hitherto been considered a static organ with a fixed set of neurons that are being used up without ever being replaced again. Now research is discovering that the brain is an extremely dynamic
Andreas Maria Jacobs
Bio (short) Agam (A.) Andreas [Andreas Maria Jacobs - NL 1956] studied experimental physics and musicology at the University of Amsterdam NL (BSc. 1978), electronic and computer music at the State University Utrecht NL (1981) and holds a BSc. in
Elastic Surgery
1995
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1995
ELASTIC SURGERY is an artwork that allows a participant to perform subtle or gross distortions to his or her own face. While some of the changes may be possible by conventional plastic surgery, most could only be achieved by these electronic means,
Thalamus
2010
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2010
'Thalamus' is a simple user led environment designed for DATA projection into a gallery space where the user navigates the work with a mouse or slider set on a plinth placed squarely infront of the projection. The piece uses a metronome scale as a
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