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The Etcher's Byte: The Piety of the Print; The Pixelation of the Panoptic in Four Southern California Shows
1994
Anderson, Isabel. The Etcher's Byte: The Piety of the Print; The Pixelation of the Panoptic in Four Southern California Shows VISIONS Art Quarterly (Spring 1994).
Graphic Jam
1999
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1999
"Graphic Jam" is painting program with which many users can paint simultaneously - without knowing each other and without communicating. It's an attack on the ingenious artist, who is working and creating alone. (source:
anyWare
2018
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2018
Event: anyWareInstitution: Three simultaneous shows at three institutions Comment:
Venelin Shurelov
Artist: Venelin ShurelovComment:
DA Fest - international digital art festival - Sofia (Bulgaria) / Curator : Venelin Shurelov
2023
Event: DA Fest - international digital art festival - Sofia (Bulgaria) / Curator : Venelin ShurelovInstitution: Ars Electronica Linz GmbH & Co KGComment:
Shut Up and Feel!
2007
Event: Shut Up and Feel!Institution: Architecture as a Social Dialogue, Workshop, Université Polytechnique de VienneComment:
hello process!
2006
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2010
aymeric mansoux / marloes de valk , 2006-2010 Computer, dot matrix printer, chain paper and ink The source code of Hello Process! can be found at: http://gitorious.org/metabiosis/hello_process and it is sold under Public License GNU , version
Josh Nimoy
"I am a silicon valley unicorn. I make software art. I communicate between engineers and artists. I think a lot about issues of programming for non-programmers. I am best known for my generative computational aesthetics for Disney's TRON:Legacy. My
Blue Stage
2001
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2001
Sound, film, music, photography and images, text: the Blue Stage interactive installation presents an innovative model for the multimedia representation of cultural themes. Here, new kinds of interaction of between man and networked knowledge are
Central Shutter (Computer Mobiles - Human Motions)
1987
Central Shutter (Computer Mobiles - Human Motions)Artist: Tamas WaliczkyComment:
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