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  • Josh Nimoy
    "I am a silicon valley unicorn. I make software art. I communicate between engineers and artists. I think a lot about issues of programming for non-programmers. I am best known for my generative computational aesthetics for Disney's TRON:Legacy. My
  • Blue Stage -
    ... of information together. Complex relationships are...
  • Central Shutter (Computer Mobiles - Human Motions)
    Central Shutter (Computer Mobiles - Human Motions)Artist: Tamas WaliczkyComment:
  • Free Range Grain -
    ... they found suspect for whatever reason, and we tested...
  • Delicate Balance -
    Delicate Balance is an interactive robotic work designed to allow a fish to determine the direction that it moves along a wire, so it can explore it's environment beyond the limits of the tank. Bettas have excellent sight giving them the
  • 101010 UpStage Festival -
    The fourth annual festival of performances in UpStage will be held on 10 October, 2010, featuring a record 17 shows made by more than 50 artists from around the world. 101010 began at 8pm New Zealand time on Sunday 10 October and ran until 4pm the
  • Mark Napier
    Mark Napier realizes only works for the Internet. He has produced a wide range of Internet projects, including "The Shredder" (1998), an alternative browser that dematerializes the Web; "Digital Landfill" (1998), an endless archive of digital
  • Streams of Encounter– electronic media based artworks -
    ... we hope to analyze what differentiates the two...
  • The "H" in HCI: Enhancing Perception of Interaction through the Performative
    Biggs, Simon and Mariza Dima and Henrik Ekeus and Sue AND Timmons Hawksley and Mark Wright. The "H" in HCI: Enhancing Perception of Interaction through the Performative In Virtual and Mixed Reality, edited by R. ShumakerVol.LNCS 5622. , 3-12.
  • Sordid Sites: Voyeurism and Exhibitionism in the Internal Organs of a Cyborg
    Hamlett, Sian; Prophet, Jane. Sordid Sites: Voyeurism and Exhibitionism in the Internal Organs of a Cyborg FELIX Magasine: Voyeurism Issue (2000).
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