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Ars & Machina. Electrografía Artística en la colección MIDE
2004
ALCALÁ MELLADO, José Ramón. Ars & Machina. Electrografía Artística en la colección MIDE. Santander: Fundación Marcelino Botín, 2004.
Muntadas. Espacios, lugares y situaciones
2008
Philips, Christopher and Adrian Searle and Antoni Mercader. Muntadas. Espacios, lugares y situaciones. Santander, Spain: Fundación Marcelino Botín, 2008.
Autotelematic Spider Bots
2006
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2006
Event: Autotelematic Spider BotsInstitution: Hopkins Hall GalleryComment:
The Autotelematic Spider Bots, Augmented Fish Reality, Our Daily Dread, Farm Fountain and Machinic Diatoms
2008
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2008
Event: The Autotelematic Spider Bots, Augmented Fish Reality, Our Daily Dread, Farm Fountain and Machinic DiatomsInstitution: Purdue University GalleriesComment:
Paparazzi Bots premiere Portugal
2009
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2009
Event: Paparazzi Bots premiere PortugalInstitution: Inside Art ScienceComment:
Paparazzi Bots premiere Germany
2010
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2010
Event: Paparazzi Bots premiere GermanyInstitution: TransmedialeComment:
musicBottles
1998
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1999
musicBottles introduces a tangible interface that deploys bottles as containers and controls for digital information. The system consists of a specially designed table and three corked bottles that "contain" the sounds of the violin, the cello and
Djinni in a Bottle
2012
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2012
Event: Djinni in a BottleInstitution: Galerie Lisi HämmerleComment:
Handsight
1992
The intention of this work is to emphasize certain aspects of virtuality, such as telepresence and the re-embodiment of the senses. It creates a transverse relation between the real and the virtual by correlating a physical object with its virtual
linescape.cpp
2002
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2002
enter project here: artport.whitney.orgScroll down to the bottom of the code to launch its results.Commissioned by the Whitney Museum
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