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La relation comme forme. L´interactivité en Art 2004

Centre pour l´image contemporaine, Saint-Gervais, Genéve and l´Université Paris 8, ed. La relation comme forme. L´interactivité en Art. Dijon, France: Les Presses du Réel, 2004.
Looking Glass Playgrounds Hit the Entertainment Bullseye 1993

Brill, Louis M.. Looking Glass Playgrounds Hit the Entertainment Bullseye Virtual Reality World (Nov. - Dec. 1993): 41-48.
Vorläufiger Versuch über die Upokrinomenologie 1991

Bec, Louis. Vorläufiger Versuch über die Upokrinomenologie In Digitaler Schein: Ästhetik der elektronischen Medien, edited by Florian Rötzer and Peter WeibelBerlin: Edition Suhrkamp, 1991.
Über das "Wiederflottgemachte" 1993

Bec, Louis. Über das "Wiederflottgemachte" In Cyberspace. Zum medialen Gesamtkunstwerk, edited by Peter Weibel and Florian RötzerGrafrath: Boer Verlag, 1993.
A Fiction of Authenticity: Contemporary Africa Abroad 2003

Jinorio, Orlando Britto and Ery et.al. Camara. A Fiction of Authenticity: Contemporary Africa Abroad. St. Louis, MO: Contemporary Art Museum St. Louis, 2003.
Que peut apporter la cybernetique a la pedagogie 1964

Couffignal, Louis. Que peut apporter la cybernetique a la pedagogie Cybernetica (International Association for Cybernetics) No. 1 (1964).
Erzeugte Realitäten II: Computer und Körper, Louis Bec, ORLAN und Stelarc 1994 - 1994

Event: Erzeugte Realitäten II: Computer und Körper, Louis Bec, ORLAN und StelarcInstitution: Neue Gesellschaft für Bildende KunstComment:
A Fiction of Authenticity, Contemporary Africa Abroad 2003 - 2004

Event: A Fiction of Authenticity, Contemporary Africa AbroadInstitution: Contemporary Art Museum St. LouisComment:
Jean-Louis Boissier, Second Promenade 1998 - 1999

Event: Jean-Louis Boissier, Second PromenadeInstitution: KAH Kunst- und Ausstellungshalle der Bundesrepublik DeutschlandComment:
Euoprean Media Art Festival 2002: New Images - New Storie. Art in Modern Media. 2002

Virtual actor or: how real is reality? The congress at EMAF 2002 explored films in which avatars (characters created on the computer) or "human" actors rather than real human beings act in virtual environments. This topic was reflected also in some

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