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  • Pii - video
    Pii relies on the development of an interactive sculpture by using sets of mirrors, matrices of light and different types of sensors that analyze the environment to computationally generate a light and sound response, there by creating a variable
  • Ken E. Rinaldo
    Ken Rinaldo is internationally recognized for interactive art installations developing hybrid ecologies with animals, algorithms, plants, and bacterial cultures. His art/science practice serves as a platform for hacking complex social, biological,
  • BRAIN FACTORY PROTOTYPE 2 video
    Brain Factory is an installation that allows the audience to give a shape to human abstractions through Brain-Computer Interaction (BCI), and then to convert the resulting form into a physical object. The work examines the human specificity through
  • BRAIN FACTORY, MICROWAVE FESTIVAL
    Brain Factory is an art installation that allows the audience to give a shape to human abstractions through Brain Computer Interaction (BCI), and then to convert the resulting form into a physical object. The work examines the human specificity
  • Transcending into the Virtual: Presence Prognostications and the Re-Calibration of Telematic Art
    Pearlman,Ellen. Transcending into the Virtual: Presence Prognostications and the Re-Calibration of Telematic Art ISEA Istanbul (11).
  • Pensar el Arte. Corrientes Cálidas y Frías a partir de la posguerra -
    Event: Pensar el Arte. Corrientes Cálidas y Frías a partir de la posguerraInstitution: Laesfera AzulComment:
  • AL GRANO: Formas de pensar mundos -
    AL GRANO: Formas de pensar Mundos, 2014, solo exhibition (images above and below) at the Centro de Museos de la Universidad de Caldas, commissioned by the Festival de la Imagen 2014, in Manizales, Colombia. A seed of transgenic corn represents an
  • Explorando el Laberinto; Creación e investigación en torno a la gráfica digital a comienzos del siglo 21
    Alcalá Mellado, José Ramón and Javier Ariza. Explorando el Laberinto; Creación e investigación en torno a la gráfica digital a comienzos del siglo 21. Col. Caleidoscopio 5, Cuenca, Spain: Ediciones de la Universidad de Castilla-La Mancha, 2005.
  • On the Visual Power of Digital Arts: for a new archive and museum infrastructure in the 21st century.
    Grau, Oliver. On the Visual Power of Digital Arts: for a new archive and museum infrastructure in the 21st century.. Vol.12. Colección Caleidoscopio, by José Ramón Alcalá & Vicente Jarque th ed.Castilla - La Mancha: Ediciones de la Universidad de
  • Paula Strunden
    Paula Strunden studied architecture in Vienna, Paris and London and worked at Raumlabor Berlin and Herzog & de Meuron Basel. Currently she pursues her design-led PhD within the European network TACK at the Academy of Fine Arts Vienna. Her work
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