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Audio Dust
2011
-
2011
... as visitors &
use
rs explore the in
div
idual... &
use
rs explore the in
div
idual works, and their mo
use
... noise and vibration
for
m complex acoustic...
Timo Kahlen: in medias res
2020
-
2020
... as visitors &
use
rs explore the in
div
idual... &
use
rs explore the in
div
idual works, and their mo
use
... noise and vibration
for
m complex acoustic...
Mónica Rikić
... closer to the public (or
use
rs). She sees the game as an...
John Tonkin
... of time. These works
use
d mathematical modelling to... in which the artwork is
for
med through the accumulated...
LichtGraffiti
2001
... touch screens allow the
use
rs to enter personal texts.... the attitude of the in
div
idual. installation conceived
for
the school and academy...
Contact Zones/ The Art of CD Rom
1999
-
1999
... Whether by bringing
use
rs in contact with each other... on the internet, the
for
mat of the CD-Rom challenges...
Haunted Media
2004
-
2004
... phenomena. From the
use
of photography, ostensibly to... – creating a space
for
disembodied communication. TV &...
Timo Kahlen: carpe diem, 2011 interactive net art
2011
-
2011
... as visitors &
use
rs explore the in
div
idual... &
use
rs explore the in
div
idual works, and their mo
use
... noise and vibration
for
m complex acoustic...
Timo Kahlen: UR, 2006
2006
-
2006
... as visitors &
use
rs explore the in
div
idual... &
use
rs explore the in
div
idual works, and their mo
use
... noise and vibration
for
m complex acoustic...
Ian Andrews & Timo Kahlen: Sound Drift
2005
-
2005
... as visitors &
use
rs explore the in
div
idual... &
use
rs explore the in
div
idual works, and their mo
use
... noise and vibration
for
m complex acoustic...
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(current)
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184