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The Autotelematic Spider Bots, Augmented Fish Reality, Our Daily Dread, Farm Fountain and Machinic Diatoms
2008
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2008
Event: The Autotelematic Spider Bots, Augmented Fish Reality, Our Daily Dread, Farm Fountain and Machinic DiatomsInstitution: Purdue University GalleriesComment:
Benefit auction for CEC Artslink. 2 Prints from Machinic Diatom Series
2009
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2009
Event: Benefit auction for CEC Artslink. 2 Prints from Machinic Diatom SeriesInstitution: Ronald Feldman Fine Arts GalleryComment:
mimesia
2003
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2003
Mimesia is an interactive painting that draws the viewer into a dream-like flow of unfolding narrative. As if in a dream, the viewer can look around but cannot control what will happen next. The work incorporates paradigms from painting, film and
max mip tex
2001
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2001
chad and I were playing around with running some of our half-life levels on a Hercules card [KyroII chipset] using the wrong drivers [Nvidia Geforce 2] . we suspected this might lead to something interesting, as they have very different ways of
Peter Flemming
Peter Flemming Curriculum vitae, March 2010 www.peterflemming.ca peter@peterflemming.ca all locations Canada, unless otherwise mentioned Artist statement I see what I make as the electromechanical equivalents of short stories. Instead of
THEYNUKED MY LETTUCE!
2012
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2012
video
A cautionary tale in Machinima style, Nicole Stenger's last movie, is a light & dark fantasy about the theme of Cyberwar. (Based on a true story). 5 minutes.
Eight Questions (and Answers) about Machinima
2011
Nideffer, Robert. Eight Questions (and Answers) about Machinima Journal of Visual Culture 10, no. 1 (April 2011): 66-73.
Entre Sensíveis Pixels: espaço-tempo-agora
2013
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2013
A exposição Entre Sensíveis Pixels: espaço –tempo – agora leva ao Estúdio Galeria Mamute, uma discussão a respeito da arte em diálogo com as tecnologias digitais e com os questionamentos deste tempo. Uma mostra que pensa a condição na qual o
Fernando Orellana
Currently an Assistant Professor developing an electronic art program at Union College in Schenectady, NY, Fernando Orellana uses new and traditional media as a way of transmitting concepts that range from generative art to socialpolitical
Gogol Chat
2002
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2002
The Web is a global text. The hypothetical character, whose speech tends towards this global text, the sum of all speeches of mankind, is called Gogol. Originally GogolChat was conceived as a multi-user chat where this fictitious character lives.
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