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  • Einleitung
    Weibel, Peter. Einleitung In Kunst ohne Unikat: Multiple und Sampling als Medium: Techno-Transformationen der Kunst, edited by Peter Weibel, 9-10. Köln: Walther König Verlag, 1999.
  • Kinetic light installation reflective foil, artificial resin, rotating motor, lights, plexiglass, light reflections variable dimensions A transparent picture is suspended on a rotating engine installed on the ceiling and is illuminated by two
  • Goldin+Senneby. Enclosure and Enthusiasm UKS Forum for Samtidskunst 3/4 (2006).
  • Performance for a matrix of 64 illuminated gas balloons and sound A room is filled with deep, evolving noises from a four-channel sound system. An eight-by-eight array of white, self-illuminated spheres floats in space like the atoms of a complex
  • Cosmopolis
    Giant interactive installation, VR telescopes, pan Overwriting the city An interactive artistic and scientific multimedia exhibition on the major issues linked to the world urbanisation Cosmopolis endeavours to examine urban realities
  • Fall Again, Fall Better is an installation constituted by two elements: a projection screen or a large LCD monitor, displaying computer-generated content in anaglyphic red/green 3-D, and the user interface, which is a handle from an urban subway
  • Born in Paris. Lives in California Prix Villa Medici Visiting Scholar HitLab 1991-1992 Research Fellow MIT (Visual Arts Program) 1990-1991 Research Fellow MIT (CAVS) 1989-1990 Prix EDF Foundation/Pleias 1989 MA in Art and Technology, (Paris U) MA
  • organized by the literaturWERKstatt berlin in cooperation with the Brückner-Kühner Foundation (Kassel) in the special exhibition hall at the Kulturforum Potsdamer Platz, Berlin. At P0es1s, Poetrica is in the Kulturforum and in public space. In the
  • Sanchez Cardona, LM. Electronic Samuel Beckett: Cochlear Samuel Beckett. Documentos DAH, Mexico: Universidad Autónoma Metropolitana/Juan Pablos Editor, 2016.
  • Sanchez Cardona, LM. The Technological Epiphanies of Samuel Beckett: Machines of Inscription and Audiovisual Manipulation. Mexico: Futura/Fonca, 2016.