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  • Momente der Interaktivität
    Weibel, Peter. Momente der Interaktivität In Im Netz der Systeme: Ars Electronica 1989 (Kunstforum International), edited by Peter Weibel and Gerhard Johann LischkaVol.103. Kunstforum International, , 87-99. : 1989.
  • Polylog
    Weibel, Peter and Gerhard Johann Lischka. Polylog In Im Netz der Systeme: Ars Electronica 1989 (Kunstforum International), edited by Peter Weibel and Gerhard Johann LischkaVol.103. , 65-86. : 1989.
  • Das Netz, das fühlen Kann / The Sentient Net
    Ascott, Roy. Das Netz, das fühlen Kann / The Sentient Net In Ars Electronica Center, Museum der Zukunft / Museum of the Future, edited by Hannes Leopoldseder, 64-71. Linz: Ars Electronica Center, 1996.
  • PICO -
    We are working to create a new type of human-computer interface, called PICO, by combining some of the usability advantages of mechanical systems with the abstract computational power of modern computers. Long before modern electronic computers were
  • David Link
    David Link is a media artist and researcher. Between 2009 and 2011 he was Chair for Experimental Technologies in the Art Context at the Academy of Visual Arts Leipzig. In 2004, he wrote his PhD in philosophy at Humboldt-University Berlin, and the
  • Das Netz entdecken. Die Berliner Transmediale sucht die Verschwörung
    Heidenreich, Stefan. Das Netz entdecken. Die Berliner Transmediale sucht die Verschwörung Frankfurter Allgemeine Zeitung (5th February 2006).
  • Medien Kunst Netz 2/Media art net 2
    Daniels, Dieter and Rudolf Frieling, ed. Medien Kunst Netz 2/Media art net 2. Wien/New York: Springer, 2005.
  • musik netz werke -
    Event: musik netz werkeInstitution: Humboldt-Universität zu BerlinComment:
  • Das Netz. Sinn und Sinnlichkeit vernetzter Systeme
    Event: Das Netz. Sinn und Sinnlichkeit vernetzter SystemeInstitution: Museum of CommunicationComment:
  • Antoni Abad
    Spanish artist who has evolved over time towards video art and later in net.art based on the sculpture. This way, his works moving from traditional scuptural concepts to the use of new technologies, he moved from photography to video art, followed
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