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Sustainable Cinema: The Moving Image and the Forces of Nature
2012
... Forces of Nature In Biologically-Inspired Computing for the
Art
s: Scientific Data through Graphics, edited by Anna Ursyn,...
The Machines Above Us: An Overview of the ‘Celestial Mechanics New Media
Art
work
2007
... Above Us: An Overview of the ‘Celestial Mechanics New Media
Art
work proceedings of Mutamorphosis: Challenging
Art
s and Sciences ...
Hybrid Culture: Japanese Media
Art
s in Dialogue with the West
2012
...Spielmann, Yvonne. Hybrid Culture: Japanese Media
Art
s in Dialogue with the West. Leonardo Book Series, Cambridge MA: MIT Press, 2012.
IMAGES(R)-EVOLUTIONMedia
Art
s Complex Imagery Challenging Humanitiesand Our Institutions of Cultural Memory
2014
...Grau, Oliver. IMAGES (R)-EVOLUTION Media
Art
s Complex Imagery Challenging Humanities and Our Institutions of Cultural Memory Leonardo Electronic...
WEB STALKER SEEK AARON: Reflections on Digital
Art
s, Codes, and Coders
2003
...Huhtamo, Erkki. WEB STALKER SEEK AARON: Reflections on Digital
Art
s, Codes, and Coders In Ars Electronica 2003: Code – The Language of our Time,...
Fin
Art
s – Die feine Kunst und die Kunst der Finanzen
2010
...Athanassakis, Irini:. Fin
Art
s – Die feine Kunst und die Kunst der Finanzen Kunstforum International , no. 200 (2010): 75-78.
On Sourcery and Daemons, or Code as Fetish
2008
... the Journal of the Society for Literature, Science, and the
Art
s , no. 16 (2008): 299-324.
Do-It-Yourself biology (DIYbio): Return of the Folly of Empiricism and Living Instruments
2014
... META-LIFE: Biotechnologies, Synthetic Biology, A-Life and the
Art
s, edited by Roger Malina & Louise Whiteley Annick...
Flow simulation with vortex elements
2012
... vortex elements In Biologically-Inspired Computing for the
Art
s, edited by Anna Ursyn, 18-30. Hershey, PA: IGI Global, 2012.
(dis)LOCATIONS
2001
...Shaw, Jeffrey and Dennis Del Favero. (dis)LOCATIONS. ZKM: digital
art
s edition, 2001.
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