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Elevator's Music
2007
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2007
The site-specific installation “Elevator’s Music”, visits the topic of synthetic creatures becoming sentient. What if centuries from now, we had the technology to make any machine self-aware? In this distant future, if an elevator could be
Relational Architecture: 'Voz Alta' (Loud Voice).
2013
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2013
Event: Relational Architecture: 'Voz Alta' (Loud Voice).Institution: International Congress of AestheticsComment:
Relational Architecture: „Voz alta“ (Loud Voice), Rafael Lozano-Hemmer
2015
GEMMA ARGUELLO MANRESA. Relational Architecture: „Voz alta“ (Loud Voice), Rafael Lozano-Hemmer In PERFORMING CULTURES, edited by JAKUBPETRI, 43-51. KRAKOW: Institute of Philosophy of Jagiellonian University, 2015.
2016 “Like To Loud a Solitude”, MoNTUE Museum, Taipei, Taiwan
2016
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2016
2016 “Like To Loud a Solitude”, MoNTUE Museum, Taipei, Taiwan
Firebirds
2004
Flames, suitably modulated by electric fields, can be made to act as omnidirectional loudspeakers of surprising loudness and clarity. Each flame, captive within its cage, recites the words of a famous orator 1935-1936.
Chronopolis: Inhabiting Time
2004
Salter, Chris and Erik Adigard. Chronopolis: Inhabiting Time Loudpaper Magazine (June 2004).
RainDance
1998
Streams of water, encoded with sound information, fall from specially designed modulating nozzles. When visitors position their umbrellas under the streams, the umbrellas become loudspeakers, revealing music, noises, voices and rhythms.
Temple
2012
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2013
Media:loudspeakers, amplifiers, telephone number Dimensions:24" x 20" x 20" Description: adaptation of the Delphi "Tholos" Temple Ruin. Electroacoustic Sculpture made of 3000 recycled loudspeakers, amplifiers and radios. Sound: white noise. People
UNSEEN: twenty-four-page folio, 24 pages 5.5” x 17”, in a handmade box, David Moscovitch, editor
2020
Sobell, Nina. UNSEEN: twenty-four-page folio, 24 pages 5.5” x 17”, in a handmade box, David Moscovitch, editor. Vol.1. 6 th ed.New York: Louffa Press, 2020.
Melaskunodousse
1997
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1999
MelaskunodousseArtist: Louis BecComment:
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