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Mirrors of the Unseen (MotU) #1, #2, #3 2011 - 2011

Light objects Series 'Mirrors of the Unseen (MotU)' At what point are terms recognisable and integrable into one’s own linguistic system? Which synonymous manifestations does language have? The light objects 'MotU #1 to #3' present onomatopoetic
Connecting and Disrupting Public Spaces: from the “Tunnel under the Atlantic” to the Open Sky Campus 2015

Event: Connecting and Disrupting Public Spaces: from the “Tunnel under the Atlantic” to the Open Sky CampusInstitution: ISEA2015 ProceedingsComment:
Connecting and Disrupting Public Spaces: from the ‘Tunnel under the Atlantic’ to the Open Sky Campus 2015

Event: Connecting and Disrupting Public Spaces: from the ‘Tunnel under the Atlantic’ to the Open Sky CampusInstitution: ISEA2015Comment:
‘Intervention’ catalogue essay 2013

Nils Jean. ‘Intervention’ catalogue essay Disruption Biennial RCA Research Exhibition book (January 2013).
Disruption 2013 Biennial Student Research Exhibition 2012 - 2013

Event: Disruption 2013 Biennial Student Research ExhibitionInstitution: Royal College of ArtComment:
Art Open Sky Pervasion and Disruption of the Public Space 2015

Event: Art Open Sky Pervasion and Disruption of the Public SpaceInstitution: Symposium Art and Public Space, Lessons from History, Current Example and Future PerspectivesComment:
Creative Technologies and Disruptive Innovation for Reengineering Future: From Humanization to Naturalization of Technologies trough Enactive Affective Systems 2018 - 2018

SAM+
Implosion of Numbers: Performative Mixed Reality 2005

Strauss, Wolfgang and Peter Weibel. Implosion of Numbers: Performative Mixed Reality In Dissappearing Architecture - From Real to Quantum, edited by Gernot FlachbartVol.Birkhäuser. , 118 -131. Basel: Birkhäuser, 2005.
Dissappearing Architecture - From Real to Quantum 2005

Flachbart, Georg and Peter Weibel. Dissappearing Architecture - From Real to Quantum. ISBN-10:3-7643-7275-3, : Birkhäuser/ZKM, 2005.
Uriel Orlow

Orlow's work tackles the impossibility of narrating or representing the past and addresses the spatial conditions of history and memory. Spanning locations in Africa, the Arctic, Eastern Europe and Switzerland, his work can often be seen to employ a

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