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Differenza ed estetica digitale: il glitch
2016
Aprile Francesco. Differenza ed estetica digitale: il glitch. Vol.september 2016. Utsanga.it th ed.Italy: Utsanga.it, 2016.
Computer poems. Dall’archeologia al source code poetry
2016
Aprile Francesco. Computer poems. Dall’archeologia al source code poetry. Vol.september 2016. Utsanga.it th ed.Italy: Utsanga.it, 2016.
About Asemic Writing
2015
Aprile Francesco, Caggiula Cristiano. About Asemic Writing. Vol.september 2015. Utsanga.it th ed.Italy: Utsanga.it, 2015.
Sul concetto di "Struction" in scrittura
2018
Aprile, Francesco. Sul concetto di "Struction" in scrittura. 16, June 2018 th ed.Utsanga.it: Utsanga.it, 2018.
source code poetry (2016, in Digicult, nov. 2018)
2018
aprile, francesco. source code poetry (2016, in Digicult, nov. 2018). Vol.novembre 2018. novembre, novembre 2018 th ed.Digicult.it: Digicult, 2018.
apropriations of the (un) common public and private space in times of mobility
2009
Beiguelman, Giselle and Lucas Bambozzi and Marcus Bastos and Rodrigo Minelli, ed. apropriations of the (un) common public and private space in times of mobility. São Paulo: Instituto Sergio Motta, 2009.
MAKE ME A (WO)MAN. MAKE ME A CYBORG. Una aproximación a la potencia política de las ficciones míticas desde el arte feminista
2013
Zafra, Remedios. MAKE ME A (WO)MAN. MAKE ME A CYBORG. Una aproximación a la potencia política de las ficciones míticas desde el arte feminista Teknokultura 2, no. 10 (2013): 1-20.
Retrovisión Espectral-Aproximaciones a una historia del videoarte en Colombia
2018
Gilles Charalambos. Retrovisión Espectral-Aproximaciones a una historia del videoarte en Colombia. Bogotá, Colombia: IDARTES, 2018.
Retrovisión Espectral-Aproximaciones a una historia del videoarte en Colombia
2018
Gilles Charalambos. Retrovisión Espectral-Aproximaciones a una historia del videoarte en Colombia. Bogotá, Colombia: IDARTES, 2018.
Partners in the Arts
1995
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1995
Displayed only the monitor and stand as aprt of an educational program
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