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  • Planetary Network -
    The «daily news» was the theme of this project in which more than 100 artists on three continents participated. The artists worked with computers, video text, slow-scan-TV, and telefax. The live activities in Venice lasted a period of 14 days,
  • Three City Link -
    In 1989, the Three-City Link event brought together artists in Chicago (organized by Eduardo Kac and Carlos Fadon), Boston (led by Dana Moser), and Pittsburgh (the DAX [Digital Art Exchange] Group). A slow-scan television system connected to a
  • Paul DeMarinis has been working as an electronic composer since 1971 and has created numerous performance works, sound and computer installations and interactive electronic inventions. He has taught computer, video and audio art at Mills College,
  • Mark J. Stock is an artist, scientist, and programmer who creates still and moving images combining elements of nature, physics, chaos, computation, and algorithm. His works explore the tension between the natural world and its simulated
  • Sommerer, Christa and Laurent Mignonneau. A-Volve - An Evolutionary Artificial Life Environment In Artificial Life, edited by Christopher G. Langton and Katsunori Shimohara, 167-175. Boston: MIT Press, 1997.
  • Ray, Tom. Evolution and Complexity In Complexity: Metaphors, Models, and Reality, edited by George A. Cowan and David Pines and David Metzger, 161-173. Boston, MA: Addison-Wesley Publishing Co, 1994.
  • Spalter, Anne Morgan. The Computer in the Visual Arts. Boston, MA: Addison-Wesely Longman Publishing Co., 1998.
  • Penny, Simon. Disentangling Utopian Dreams In The Computer is not Sorry, Boston: 1993.
  • Chermayeff, Serge. Architecture and The Computer In Proceedings of the first Boston Conference on Architecture and the Computer, edited by Boston Architectural CenterBoston, MA: Boston Architectural Center, 1964.
  • Fetter, William A.. Computer Graphics In Architecture and the Computer: First Boston Architectural Center conference, December 5, 1964, Boston, Massachusetts, , 34 - 36. Boston, Massachusetts: 1964.