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Introduction of “Eve Clone Series “ introduction by Lin Pey-Chwen
2019
Lin Pey-Chwen. Introduction of “Eve Clone Series “ introduction by Lin Pey-Chwen Introduction of “Eve Clone Series “ introduction by Lin Pey-Chwen (2019).
Ming Turner,Quasi-skin and Cyberfeminism: 2020 Eve Clone Series by Pey-Chwen Lin
2020
Ming Turner. Ming Turner,Quasi-skin and Cyberfeminism: 2020 Eve Clone Series by Pey-Chwen Lin Quasi-skin and Cyberfeminism: 2020 Eve Clone Series by Pey-Chwen Lin (2020).
Performing Bodies and Smart Machines Series
1992
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1992
Event: Performing Bodies and Smart Machines SeriesInstitution: Whitney Museum of American ArtComment:
Machinic Diatom series of new 15 new 3D Giclee prints on paper
2005
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2005
Event: Machinic Diatom series of new 15 new 3D Giclee prints on paperInstitution: Museo de Arte de CaldasComment:
Autopoieis installation and the Machinic Diatom print series
2007
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2007
Event: Autopoieis installation and the Machinic Diatom print seriesInstitution: The Works FestivalComment:
Benefit auction for CEC Artslink. 2 Prints from Machinic Diatom Series
2009
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2009
Event: Benefit auction for CEC Artslink. 2 Prints from Machinic Diatom SeriesInstitution: Ronald Feldman Fine Arts GalleryComment:
Series In Innovation, Eyebeam Vision Research Group, New York Panelist: New Media Day, Bushwick Film Festival, New York
2013
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2013
Event: Series In Innovation, Eyebeam Vision Research Group, New York Panelist: New Media Day, Bushwick Film Festival, New YorkInstitution: EyebeamComment:
Ming Turner, “Visualizing post-human and cybersexuality : Lin Pey- Chwen and the Eve Clone series" , East Asian Journal of Popular Culture Vol.2 , No. 2, 2016, page 227-245
2016
Ming Turner. Ming Turner, “Visualizing post-human and cybersexuality : Lin Pey- Chwen and the Eve Clone series" , East Asian Journal of Popular Culture Vol.2 , No. 2, 2016, page 227-245 “Visualizing post-human and cybersexuality : Lin Pey- Chwen and
European Media Art Festival 2009: The Future Lasts Longer Than The Past
2009
In 2009, the EMAF portrayed over 2000 years of media history with its large exhibition entitled “Image Battles” in cooperation with the Museum of Industrial Culture Osnabrück, Kunsthalle Dominikanerkirche and Erich Maria Remarque Peace Centre. In a
Layers of Visibility
2018
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2019
Between 2013 and 2017, a series of artists associated with the University of Plymouth, UK, responded to Cyprus through residencies at Nicosia Municipal Arts Centre. The works included in the exhibition and publication indicate a range of different
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