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  • The Trace
    Lozano-Hemmer, Rafael. The Trace In Ars Electronica ´95 Compendium (Prix Ars Electronica 1995), Linz: 1995.
  • Grenzzaun -
    Installation with 3D printed objects The border between the USA and Mexico is one of the most frequented borders in the world. Its fortifications serve primarily to control migration and the transaction of goods. The wall piece 'Grenzzaun' consists
  • Eduardo Kac -
    Reconocido internacionalmente por sus instalaciones interactivas y por sus trabajos de bio arte, Eduardo Kac explora la fluidez de la posición del sujeto en el mundo postdigital, cuestionando la evolución, la memoria y hasta la condición de la
  • Eduardo Kac -
    curator: Angel Kalenberg Reconocido internacionalmente por sus instalaciones interactivas y por sus trabajos de bio arte, Eduardo Kac explora la fluidez de la posición del sujeto en el mundo postdigital, cuestionando la evolución, la memoria y hasta
  • The Trace: Remote Insinuated Presence
    Lozano-Hemmer, Rafael. The Trace: Remote Insinuated Presence YLEM (September 1997).
  • Women and the Aesthetics of New Media
    Gigliotti, Carol. Women and the Aesthetics of New Media trAce, Online Writing Centre (June 2003).
  • Trace(s) - festival des arts numériques : Mirages
    Event: Trace(s) - festival des arts numériques : MiragesInstitution: city of bagnols sur cezeComment:
  • TRACE: Wayfinding in Contemporary New Media Art -
    With Anna Novakov and Yvonne Senouf I curated TRACE at MoCA Salon in Belgrade, where I also exhibited Study 7/0 (http://dejangrba.dyndns.org/art-projects/en/2018-study-7-0/index.html).
  • TRACE: Wayfinding in Contemporary New Media Art -
    I curated TRACE with Anna Novakov and Yvonne Senouf at Pro Arts gallery, and exhibited Study 7/0 (http://dejangrba.dyndns.org/art-projects/en/2018-study-7-0/index.html).
  • Traceability -
    We will try to find antennas for mobile phones in urban space ,map it and make flip book like animation from photographs/videotapes which is taken by participants of workshop in urban space. As a result, when we see the animation, we will feel
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