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  • ANIMAL NATURE
    Animal Nature is an exhibition concept that has developed out of an ongoing, expanding web-project entitled Criminal Animal found at www.criminalanimal.org. Criminal Animal is intended to bring together a wide range of artists, critics, scholars
  • anonymous muttering
    Eventmodul::anonymous.databody.muttering addresses the phenomenon of our digital identity. knowbotic research builds data bodies from the many personal traces we leave when using forms of digital communication. In this installation, visitors can
  • Glitch Traces -
    Images collaged from screengrabs taken during the development of the 'Crosstalk' project in 2013-14. Source: Simon Biggs
  • Corby & Baily & Mackenzie
    Gavin Baily Gavin studied at the Ruskin School of Drawing and Fine Art (1990-93), and Computer Science at University College London (1996). His work with digital media has focused on developing conjunctions of software-based visualisation and the
  • Traces: Embodied Immersive Interaction with Semi-Autonomous Avatars
    Penny, Simon and Bernhardt et. al. Schulte. Traces: Embodied Immersive Interaction with Semi-Autonomous Avatars Convergence (Summer 2001).
  • Slippery Traces: The Postcard Trail
    Legrady, George. Slippery Traces: The Postcard Trail In Artintact 3, edited by Jeffrey Shaw, 101-104. Karlsruhe: ZKM Karlsruhe, 1996.
  • Slippery Traces: The Postcard Trail
    Legrady, George. Slippery Traces: The Postcard Trail In Artintact 3, edited by A. Sommer, 101-104. Karlsruhe: ZKM, 1996.
  • Digital Traces: Navigating Interactive Domains -
    Event: Digital Traces: Navigating Interactive DomainsInstitution: Center for the Arts PittsburghComment:
  • Swarming Lounge video
    Mixed-reality installation with live and virtual performers, encountered via the smartphones of the visitors. Real and virtual situations come together, and micro-narratives emerge, based on shifting degrees of presence, traces of daily gestures and
  • Swarming Lounge video
    Mixed-reality installation with live and virtual performers, encountered via the smartphones of the visitors. Real and virtual situations come together, and micro-narratives emerge, based on shifting degrees of presence, traces of daily gestures and
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