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  • FILE - Electronic Language International Festival 2014 IN THE DIGITAL TRACKING
    Event: FILE - Electronic Language International Festival 2014 IN THE DIGITAL TRACKINGInstitution: FILE - Electronic Language International FestivalComment:
  • IN THE DIGITAL TRACKING -
    Event: IN THE DIGITAL TRACKINGInstitution: FILE - Electronic Language International FestivalComment:
  • Tracking the Obstacles in Mediated Communication
    Event: Tracking the Obstacles in Mediated CommunicationInstitution: Exhibition Opening Seminar, Museum of Fine Arts, Nanjing UniversityComment:
  • FILE (Electronic Language International Festival) / "In the digital Tracking" - Sao-Paulo (Brazil)
    Event: FILE (Electronic Language International Festival) / "In the digital Tracking" - Sao-Paulo (Brazil)Institution: The Wrong BiennaleComment:
  • Artistic production and embodied information. Tracking Spaces of Transformation
    Alvaro, Sandra. Artistic production and embodied information. Tracking Spaces of Transformation In VIRTUALITIES AND REALITIES New Experiences, Art and Ecologies in Immersive Environments, edited by Raitis Smits and Rasa Smite: RIXC, 2019.
  • Selfpad -
    The moment of making and the creation gesture itself is summarized in this video. The trackpad is the only witness of the work ‘in fieri’, silent translator of mechanical moves into electrical and digital pulses, as the fingers themselves that
  • Hill Climbing
    Sound plays an important role in the work of Janet Cardiff and George Bures Miller (Canadian, b. 1957; 1960) whose video Hill Climbing (1999) tracks an unseen couple and their dog as they struggle to climb up a snowy hill. The layered, binaural
  • Velvet-Transcode - video
    Velvet-Transcode is a work of electronic art conceived to perform a "digital artistic study" of the milestone album The Velvet Underground & Nico. The record has been disbanded and reconstituted as a digital form made up of audio tracks fragments,
  • "Memory Tracks"
    Gilmore, Alison. "Memory Tracks" Border Crossings 14, no. 2 (Spring 1995): 53-54.
  • Memory Tracks
    Gillmor Allison. Memory Tracks Border Crossings (Spring 1995): 53-54.
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