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Video shadow play, two single channel animations, a series of lights and eight rotating reverse painted Lexan cylinders, sound, 3 min

In To Be Is To Get Cut, I consider the sociopolitical structures and behaviors that are otherwise hard to realize from inside the microcosm of society. To do that, I use digital media. That allows me to create a self-sustained ecosystem that exists

Vacuum formed polyester Series (4); dim: 80 x 80 cm (each) Four wall reliefs are based on the same microscopic image of carbon substance, which is being transformed by the use of special computer programs used in microscopy. The proceeding of image

acryl, pastel and marker on paperdim: 68 x 88 cm (each), series (6) Reminiscent of clouds of interstellar dust and ionized gases, this series of drawings is technically based on abstract templates derived from microscopic recordings. Thus, the

Tree Story brings together creative practices from around the world to create a ‘forest’ of ideas relating to critical environmental and sustainability issues. At its foundation—or roots—are Indigenous ways of knowing and a recognition of trees as

Archival Digital Print, Sizes: 8”x10” and 13”x19” Epson Pigment inks on cotton rag substrate or Light Jet digital photo prints. (plus custom sizes or NFT by special order) Date created: 1987 Victor: This is one my favorites in the Ectoplasmic