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  • Less Than Three -
    "Less than Three" is an interactive installation of light strips that form a network between two intercoms. As a participant speaks into an intercom, his or her voice is translated into corresponding flashes of light and this light pattern is
  • Cadence (2022) by Kayla Parker is an animated film poem created with a constellation of common wayside flowers, gathered during walks on land reclaimed from the sea along the shore of the Laira estuary, on the coast of SW Britain.
  • Microphone -
    (...) The result is surprising because the sound comes directly from the microphone, which "speaks back", and because it is a memory of what already has been said. People initially only say something short like "hello" or "I am the decider" but
  • Short video from a ZDF documentary about Ars Electronica 1994 showing the project "The Intelligent Mailman" from Michael Bielicky.
  • ... parts of the photo are not independent elements any...
  • I / THE FOOD I ATE -
    9:59 min. (short version 3:30 min.) / HD video / produce in Switzerland The artist has been recording everything he ate since 1975. Pairing his food intake with his portrait suggests that what he ate makes who he is. All the mayonnaise he ate in 38
  • Takashi Kawashima is a designer and media artist living in San Francisco. His work explores the re-contextualizing of commonplace items to create new awareness of the mundane. Takashi was featured as one of ten emerging student artists in the
  • Land, Michael F.. The eye. A very short introduction. Oxford: Oxford Univ. Press, 2014.
  • Within a short time the VideoFest has become one of the most important international video festivals. The programme consisted of works covering the field of videoart and documentation; the intention was to point out video-specific realisations of
  • Kluszczyński, Ryszard W.. (Audio)Visual Labyrinths: Non-Linear Discourses in Linear Media In Catalogue of the 43rd International Short Film Festival, edited by Birgit Konopatzki and Ilona Traub and Andreas Krönung, 138-144. Oberhausen: 1997.