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  • Fleischmann, Monika and Wolfgang Strauss. Beyond Narcissus - Seeing the Self in the Other In RE:SOURCE The 10 thInternational Conference on the Histories of Media Art, Science and Technology, edited by Francesca Franco and Andreas Burbano,
  • Fleischmann, Monika and Wolfgang Strauss. Beyond Narcissus - Seeing the Self in the Other In RE:SOURCE The 10 thInternational Conference on the Histories of Media Art, Science and Technology, edited by Francesca Franco and Andreas Burbano,
  • Fleischmann, Monika and Wolfgang Strauss. The Performative Interface What You Get Is What You Did Not See In The Bloomsbury Encyclopedia of New Media Art, Volume 2: Artists and Practice, edited by Paul ThomasVol.2. , 108-131. : Bloomsbury London,
  • Tavares, Monica. Os ambientes interativos como mediadores na construção de duplos digitais. Anais do 15 Econtro Internacional de Arte e Tecnología Brasilia, Brasil: Universidade de Brasilia , no. ISSN 2238-0272 (February 2016): 405-406.
  • Fischnaller, Franz. Tracking The Net, Interactive Art In IX Festival internacional de video y multimedia de Canarias, Mediafest, edited by Canarias Mediafest, 123-128. Canarias, Spain: 2000.
  • 2010 eCulture Fair 2010 , Ruhr 2010 , Dortmunder U : Netzspannung.org & MediaFlow Browser , 23.-25.8.2010
  • The human cell is still a mystery to us in many ways. We cannot see it with the naked eye, only with the help of powerful microscopes. This Virtual Reality presents an imaginary inside of a human eukaryotic cell, enlarged about 300.000 times to
  • Medialab
    Strauss, Wolfgang. Medialab Tight Rope (1995).
  • Fleischmann, Monika and Wolfgang Strauss. Medienkunst als Wissenskunst / Medial Arts as Knowledge Arts. In Wissenkünste! Das Wissen der Kunst und die Kunst zu wissen / The Knowledge of the Arts and the Art of Knowledge, edited by Sabine Flach and
  • Fleischmann, Monika and Wolfgang Strauss. Medienkunst als Wissenskunst / Medial Arts as Knowledge Arts. In Wissenkünste! Das Wissen der Kunst und die Kunst zu wissen / The Knowledge of the Arts and the Art of Knowledge, edited by Sabine Flach and